#i mentioned a lot of other characters too

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[novvabee]

And They Were Roommates pt.10

summary: friendsgiving, you meet all the slytherins, this kinda doesn't contain a lot, just meeting new characters and wholesome interactions, i might make a part two to this lmao

cw: casual drinking? firewhisky is mentioned but you can interpret it in any way you want really

word count: 2.1k

“Stop that, Siri,” you scolded, swatting at his hand, “It’ll never boil if you keep stirring it.”

You were at the stove, boiling water for potatoes, or trying to at least. Sirius, bless him, wanted to help out, but he was really just in the way if not a downright hazard in the kitchen. 

“You told me to boil and stir, those are my duties and I take them very seriously.��� He said with a chuckle at the last part. You rolled your eyes and scooted him out of the way.

You had already baked a lovely cake, and helped James cook some chicken and pasta, the last thing you had to make were the mashed potatoes. Remus had cooked up some veggies and was storing them in the warmer.

About a week ago, you suggested a “friendsgiving” to the boys. They had no idea what you were talking about, staring at you and blinking blankly as you explained the concept. You just wanted to have your friends over, all under one roof, and eat yummy food and play fun games. It sounded easy, in theory, but it turned out to be a lot more work than you were expecting, especially since one of the three boys could not cook to save his life. You decided to put Sirius in charge of drinks and entertainment and that appeased him. 

The house was a rush for a couple days, you all decorated and figured out recipes you were going to make for the whole group. Then there was the inviting everyone and setting a time that everyone was available. It was like herding cats.

Your friends, Mary, Lily, and Marlene, were all easy. They communicated and organized and everything went off without a hitch. But Sirius wanted to invite his brother and some friends that you had yet to meet and they seemed…. Well a little less communicative and organized, but that was apparently very normal for them, none of the boys were upset by it.

“Remus,” you called into the other room. The tall boy appeared on the doorway in an instant. “Would you please help me finish the food?” you asked sweetly, batting your lashes to really drive it home.

Remus smirked and rolled his eyes. “Only if I have to.” he replied jokingly.

Sirius whined from beside you where Remus was now moving him out of the way. “Well what am I supposed to do?” he said, pushing out his bottom lip in a fake pout.

You looked at him and smiled, knowing his antics, he was only wanting to stay in the kitchen so he could “test” everything you were making. “Why don't you help James?” you suggested. James was in the living room, setting up some fall-ish decor which included strings of leaves he found outside. He claimed the colors were too pretty to be left out in the cold, so he hung them up insead. It was cute. 

Sirius huffed and exited the kitchen. You continued on cooking, a little faster and more efficient now that Remus was actually helping you. It was a little while later, as you were finishing up, you heard some muffled arguing in the other room. You and Remus gave each other a confused look, then went to go and see what all the commotion was.

You entered the living room and it was completely transformed into a fall wonderland. There were strings of leaves hung up across the ceiling, carved little woodland creatures strewn about, candles lit everywhere, and a fire stoked in the fireplace. The room had a warm glow to it. You stood there in awe, taking it all in. Maybe you should put Sirius on decorating duty more often.

“How did you do all this? And.. you were in here for like ten minutes, how?” you asked, still in shock.

Sirius smirked at you. “Magic,” he drawled, shoving what looked like one of the decorative sticks into his back pocket. James shook his head at Sirius, and Remus coughed from beside you. You couldn’t believe it, he and James must have worked really fast. 

Your attention was drawn to the door, hearing a knock and some cheerful chatter. You smiled, instantly knowing who it was.

You opened the door and were met with the sight of Mary, Lily, and Marlene, all holding dishes they made.

“Hello love!” Mary sang, kissing you on the cheek before stepping inside. You hugged both Marlene and Lily and let them in as well. 

“I can’t believe you actually live with them,” Marlene said to you while handing her dish off to James. “I mean, if you ever need an escape, just let me know and you can come stay with me instead.” she said, conspiring against her friends.

You laughed but answered, “I like it here, the boys are lovely.”

Marlene blinked at you in shock. “The boys? Lovely?” 

“They better be,” Lily chimed in, glaring at both Sirius and James.

The latter held his hands up in defense as the former confirmed “We’ve been on our best behavior.” 

All of you settled in, the girls leaving their dishes on the long table that James had somehow conjured up early this morning. You all found space on the couches or chairs or just on the carpeted floor. Conversation was lively, they all were recounting stories about their school days. 

You learned a little bit more about the boys through the eyes of the girls. Apparently Remus was known as sort of a “casanova” in their years at school, James and Sirius got detention every day for three months but were able to sweet talk their way out of it after only a week, and that they had once set a fire in their common room.

“It was small!” James defended himself and his friends. “And we put it out eventually, didn't we?”

“Yes, because I supplied the water!” Lily laughed, making the rest of the room chuckle along with her.

“What about you, Y/N? You have any harrowing tales from school?” Mary asked.

You shook your head and let your gaze fall to the floor. “I was way too shy to do anything bad or adventurous in school.” you supplied.

“You never got into trouble?” James asked. “Not even once?”

“I mean…Not for anything like setting a common room on fire.” you shot back at him, jokingly. James smiled at you, the perfect, warm smile that he often reserved only for you. The type of smile that would instantly heat your face.

You were grateful for the knock at the door, taking the attention away from you and your growing blush.

Sirius jumped up and raced to the door, opening it to reveal a boy you had yet to meet. He looked almost exactly like Sirius, the only differences were his shorter hair and his sharper features, almost cat like.

“Reggie!” Sirius exclaimed, wrapping his arms around him in a tight hug. The boy stiffened a bit but pat Sirius on the back. "You didn’t make anything?”

The boy furrowed his eyebrows. “Why would I make anything? Can’t we just-”

“Regulus! It’s been too long” Mary called out, skipping up to him and hugging him as well.

“Where are the other two?” James asked.

The boy shrugged. “Honestly I don’t know, I told them I was leaving at 5:00 and for them to be in the car. I left at 5:00.” he said plainly, making James chuckle.

“And they weren't in the car?” James asked again.

“They were not in the car.” The boy confirmed smiling slightly, just the corners of his mouth, but somehow it lit his face up entirely. He turned to you, looking you up and down. “Hello, I’m Regulus.”

“Hi, I’m Y/N.” you said, giving him a small wave. “I’m their new roommate.” you explained, nodding your head to where James stood beside you.

“Oh right, Sirius mentioned you,” he said. You couldn’t really get a read on him, didn’t know if he liked you or not, if he was friendly or not.

You were saved by Marlene inserting herself into the conversation by asking, “So Reggie, uh, do you know who else is coming?”

Regulus turned his attention to her and smirked. He raised his eyebrows and said, “Oh yeah, Pandora is coming. Can’t wait to see her.” He smiled at her like he knew something, like he was onto some game she might be playing.

“Cool, yeah! Love Pandora. I’m, uh, excited to see her too.” she said quickly, then walked away. Regulus and James laughed.

There was another knock on the door, Sirius again opened it and revealed two girls standing side by side. One with dark brown hair and the coolest clothes you had ever seen, the other with blonde hair and an eccentric aura around her. The blonde was holding a tray of baked goods and the brunette was holding some sort of bottle.

They said their hellos to everyone before the blonde stopped right in front of you. “You must be Y/N! It is so lovely to meet you. I am excited to get to know you more, I’m Pandora by the way.” she said in an airy type of voice. She seemed sweet, kind. You were excited to get to know her more too.

“Yeah, nice to meet you too.” you said.

“I made pumpkin pasties, I hope that's alright with you.” she said, motioning with the tray in her hands.

“Oh, uh, yeah that’s great, thank you so much.” you started, “I’ve never had one before so, I’m happy to try one!” you finished, trying your best to match her cheeriness.

“Never had a pumpkin pasty?” she asked, cocking her head to the side. “They are practically all I would eat when I was at-”

“I’ll take that.” Remus interjected, taking the tray gently from her hands.

“Oh Remus! How have you been? I was wondering about…” she started, getting distracted from you and following Remus into the kitchen. 

The other girl now stood in front of you. “Hey, I’m Dorcas.” she said. (you noticed Marlene blushing in the corner, eyeing her. Is this who she was hoping would show up…)

“Hi, I’m Y/N,” you repeated to her. “Nice to meet you.”

“Nice to meet you too,” she echoed the formality. “So… you’re living here now? With them?” she nodded to Remus and James in the kitchen.

“Yeah,” you said, nodding.

She handed you the bottle in her hand. “This is for you, I think it may come in handy living with that bunch.” she laughed, her voice smooth and soft. “It’s whiskey.”

You giggled and thanked her, taking the bottle. “Drinks, anyone?” you asked, raising the bottle up for all to see. There was an assortment of yes’s and agreements. You made your way to the kitchen to start handing out drinks.

Everyone was mingling and drinking, making their way to the table. You sat between Remus and Dorcas, talking to her about clothes and jewelry. She was wearing some of the coolest rings you had ever seen and you needed to know where she got them. “Oh here,” she said, handing you one you had asked about.

“W-what no. I couldn’t” you stuttered, shocked that she would be willing to give it up. Like she had known you for years, like you were sisters sharing clothes. 

“No, don't worry about it, think about it like a house warming present or something.” she explained, popping the ring  on the placemat in front of you. “Besides, I like making my own rings, I can always make another.”

You thought right then that she may be the coolest girl you had ever met.

There was yet another knock at the door. “Late as always!” Mary sang from the other side of the table, making the room laugh. Pandora was the one who jumped from her seat and made for the door. 

“Evan!” you heard her call out. She re-entered the room with two boys behind her. The first boy was tall, almost as tall as Remus, and blonde like Pandora. The other was slightly shorter and had green streaks dyed into his black hair. The second boy was holding a pie.

“I told you I was leaving at 5:00” Regulus muttered from one of the heads of the table.

“We made a pie.” the one with the green streaks said, extending out the pie he was holding.

Lily crossed her arms over her chest and raised a brow “you made a pie?” she said with an accusatory tone.

The green haired boy smiled. “We bought a pie, and the pie is here.”

You stood and walked up to the two new boys. You introduced yourself and took the pie, telling them to follow you to the kitchen so they could grab drinks as well.

“I never thought the day would come when I would be jealous of the marauders.” you heard the green haired boy, whose name you learned was Barty, mumble to the tall blonde boy, whose name was Evan, Pandora’s twin brother.

so this one was so fun to write even though nothing really happened, I just like to flesh out all their personalities kinda... idk. also there is so much magic in this one if you're looking for it. I do wanna do a pt.10 pt.2 lmao but that is so silly

taglist 💌:@too-efn-old-to-be-here @cometsghost @eeviee4 @giuli-in-earth @spicybearnaise @the-lavender-girl @adharalikethestar @champomiel @itsleroyposts @enamoredwithbella @babymash @ilovejamespottersomuch @liszblog @sammyreid @kiaslily @idkman5335 @willowlovestheweasleys @lady-balem @nislame @latenightreadingpdf @v-loves-frogs @meggishhhh @mooonyxoxo @sodavrr @notmonstersapocalipse @plk-18 @prettylittlewrites

[soleminisanction]

So a while back I ran the numbers to confirm a suspicion that fandom trends towards a trans Tim Drake, and there's a lot of bits and pieces around his canon material that I think contributes to that interest. But there's a particular, subtle one that's been poking at my mind a lot because I think it might actually be a pretty significant factor that nobody really notices:

His costumes.

The original Robin costume, the one Dick and Jason wore, is childish but exposing. It's innocent enough when they're being drawn as spunky children, but during the period when Dick's still wearing it into his late teens and early 20s, it's practically as revealing as a lot of the women's costumes (and, in retrospect, almost certainly laid some of the groundwork for him sometimes being sexualized by the art and writing the way female characters normally are -- George Pérez, at least, absolutely put him on display every bit as much as he did Starfire and Donna).

Damian's costumes, meanwhile, lean more into archaic/fantasy armor designs and are thus largely genderless outside some vague allusions to the codename's Robin Hood roots. And Steph's is, well, a minidress, and one designed to show off her figure, drawing explicit attention to her femininity.

But then you have Tim's most iconic costume, his original one, which is not only fully covering in a way the original look isn't, it also, by virtue of being designed in the 90s, sports a very specific feature: molded body armor shaped to look like pectoral and abdominal muscles. In other words -- an idealized male body.

Not every artist always included that detail, but it was an explicit part of the design that you don't see as much these days, at least not for teen heroes. Which means it's inadvertently the perfect costume for a trans masculine Boy Wonder. It's got built-in body shaping. The cape and tunic layers even help to make his shoulders look wider.

Tim's second costume, the OYL later suit, doesn't explicitly have this body shaping element, but some artists still hint at it in the same way that Dick's Nightwing suits do (ie, we assume they're not showing off their real muscles with skintight suits for safety reasons, but who knows). Plus it comes with the bonus gay longing of changing the colors to mourn the dead crush he's too deep in the closet to recognize.

And then you've got his modern Robin look which has the same kind of shaping going on in a sleaker, more subtle way, though it can vary from artist to artist how much the red part of his suit is drawn as a breast plate vs. a part of the bodysuit.

As a bonus, the design also has a tendency to make him look lean and lithe, in an interesting contrast to Damian who, despite being physically smaller than Tim, tends to have a presence that makes him come across as stockier and more solid, possibly because he's more heavily armored.

You even see this with some of Tim'snon-Robin looks. I've mentioned this elsewhere but, the original Red Robin look making him look older when the cowl was up honestly makes a lot of sense. That suit was originally designed for a Dick Grayson who was pushing 60 to conceal the extent of his age while still communicating his maturity and development. It makes sense that it'd work the other way, to make 17 year old Tim look like he's in his late 20s/early 30s.

It's tunic over a body suit design is also just aesthetically pleasing in terms of forming an elegant male body type, the same way a well-cut suit can be. Again, it does especially nice things for the shoulders, which is why I personally prefer it to the fully bodysuit redesign they give him in the latter part of the series. Although as we can see from the details in Marcus To's art, even that body suit has seams strategically placed to suggest muscles.

And then of course there's the 2016 Rebirth era Red Robin costume, which is just a more heavily-armored version of his classic Robin look that's trying really hard to make him look masculine and mature, which means... exaggerated muscles.

And the thing is, it's not that this doesn't happen with other characters' costumes. But for various reasons it specifically didn't happen with the other Robin costumes, like I described at the start.

Which is not something I think people consciously notice. But I do know that, when I was writing my transmasc Tim fanfic a few years before realizing that I myself was also transmasc, one of the images that solidified the story for me was how good it would've felt the first time a transmasc Tim put on his new Robin costume and saw the Boy Wonder looking back at him. And I remember specifically thinking about how nice the shaped armor would be for that sort of thing.

It's kinda funny how an obvious attempt to enforce gender norms wound up, for lack of a better term, backfiring, at least in my opinion. There's just something about exaggerating the masculinity of Robin, a role designed to contrast and foil the already exaggerated masculine ideal of Batman, that makes it feel like a performance.

[show-us-kaidenshenandoah]

my tags wasn't enough, i had more than 30 tags worth of things to say about worldbuilding and food (feel free to read said tags in past reblog, aka it's this post's "previous tags" which hopefully you know the process to get to that) but i will restrain myself of truly babbling as much as i really want — for instead the following:

i will repeat that worldbuilding = culture, and culture = food, what are meals here, how many meals are here, where do the ingredients come from, how does seasons impact what you can eat, what do they eat for birthdays, etc + clothes, what silhouettes and types of fashion are here, where do they get these outfits' materials (livestock? plants? dyes?), what special occasion outfits are there or is there any regalia to occupation/type of dancing/age/etc, how do outfits change with seasons + so on and so forth

here is a great youtuber who has a playlist analyzing world-building, and it can include things like food. my favorite video from this playlist is for the show "Ascendance of a Bookworm" (yes, the playlist is linked as part of this video btw) which does specifically go into food (as do other videos within said 10-video-long playlist. another video within the playlist is "Dungeon Meshi" which is very much about food). please watch as much of the playlist as you like! another video of his about worldbuilding, that is not in this playlist, is about "Castle In The Sky"'s worldbuilding as shown in that intro-instrumental bit of the film specifically (a movie my brain farted and called "Nausicaä: Valley Of The Wind" in my tags before, iGNORE THAT)

and here is another great youtuber. his entire channel is largely about "how to write" and various aspects of worldbuilding. but i do want to mention that this conversation is biased towards Hard Worldbuilding, evidentally, and he has some videos that are in support of softer worldbuilding too (which, my memory could be off, but i dont think he gets into food often? but an example of Soft Worldbuilding and food would be how idk how the fuck Chihiro/the spirits has access to food in "Spirited Away", they just kind of begin and end with a vague ✨️magic food✨️ vibe about how these are meals for the dead, but the soft worldbuilding there not including how they source this food is not bad worldbuilding at all). it's best, in terms of mind-set, to have different types of worldbuilding for different projects in my opinion

In Defense of Soft Magic Systems

Hard Worldbuilding vs. Soft Worldbuilding | A Study of Studio Ghibli

and this is in regards to stories outside of fantasy period-pieces as well. like, "Coraline" for example is VERY fascinating to analyze in respects to food. both what Coraline eats, what the Other Mother eats (or rather doesn't eat), what the Other Father eats (he is starving, always), what foods are available to who and when; and that is a story that takes place in modern-day and has some pretty restrained fantasty elements as part of the Other Mother's powers and whatnot

but even things like "this character never cooks, only orders out or eats other people's homemade food or eats leftovers" can say a lot about the individual (doesn't take good care of themself, or doesn't have the time or energy to, may have been neglected as a child from learning this life-skill, could be a lot of reasons why they can't cook), even if the character themself is from a culture that has a rich history with food

i will admit some cultures have a more restrained history with food, like Indigenous Americans' intertribal culture (which, hi, hello, i am one such Indigenous American) has a semi-strained, semi-loving relationship with frybread. bc it's not a "cultural"-food, it's a survival food. it's a food that was invented bc people were starving, forced into bottlenecks of limited, unfamiliar ingredients due to us being forced into reservations and militant forces not allowing us access to trade for other ingredients on these lands that yielded poor crops and limited to no livestock. as a result, frybread is super unhealthy. (though some Indigenous American chefs have worked to make healthier varieties now) but also frybread is a cheap, easy food to make that celebrates that we survived a time when people tried to kill us via starvation, but it also is a symbol of said starvation attempt as it was a food that was only created to help its people survive rather than as an expression of culture. hence, a relationship with a piece of food that is semi-strained, semi-loving. so that is an irl example of how food can be a cultural yet not-cultural yet also a history-informing item

so, if you want to read me praising the fuck out of Hard Worldbuilding including meals and how the implications even of something as simple as "this culture eats lots of beef" can be unfolded, read my past reblog's notes. but also, Studio Ghibli does really Soft Worldbuilding masterfully, and also mentions food here and there throughout their films, while not always explaining where it comes from (i think "Howl's Moving Castle" is one such example, as Sophie goes to a market to buy food for said moving castle's residents at one point. but, again, where the spirits import food (besides pigs, i guess) into the bathhouse for its workers, guests, and Chihiro to eat is beyond me). and neither worldbuilding method is superior than the other, i just have more to say about the One That Inherently Requires More Self-Questioning than the other, evidently. but food is an excellent way to show, not only culture (or survival) within said worldbuilding, but an individual's personality (eg. the Can't Cook aforementioned example), relationships (eg. aforementioned "Coraline" example), or emotional state (eg. in "Spirited Away", when Chihiro cries while eating her food because it's the first moment she has been able to safely process what has been happening to her, and the food tastes so good and was a kind gift, and she us just so overwhelmed and sad), and so much more

i think, overall, it is best to have stuff match. as in, if you have a hard magic-system, then you probably should map out and source your food in similar levels of detail for your own reference, even if it may never show in the narrative, just so you can be consistent. and then, if you have a soft magic-system, it'd be wise to have a similarly soft worldbuilding relationship with food. your audience expects hard worldbuilding with hard magic-system, and soft worldbuilding with soft magic-systems. i cant think off the top of my head of any examples where we get a juxtaposition of hard/soft that ends up with a well-polished story audiences love. and if you dont have a magic-system for the worldbuilding to reflect, then have the worldbuilding reflect similarly to what your story does examine. like, "Pulp Fiction" is soft towards what is in the suitcase, and similarly has a soft worldbuilding and explatory attitude towards its cast of characters, and it's also pretty soft about what the characters eat and drink being sourced from where (the most famous is probably the coffee lol), which fits as it's in contemporary LA and you assume most food there comes from similar places as your food does irl but no one knows for sure, but there's still an interesting relationship to food to follow within this film and whatnot

edit: i finally thought of a story that does a mix of Hard as well as Soft Worldbuilding, and luckily enough the example includes food in its story and that would be "Over The Garden Wall" (spoilers ahead). it has a ridiculously heavy amount of research put into it, from the fashion and architecture to the very doorknobs, and it does both explain and not explain its world as the Unknown is both real and not as it was a type of limbo of "Dante's Inferno" that Greg and Wirt experienced when they were almost drowned to death. it is the only story i can think of where arguably what happened within it was "just a dream" yet that ending doesn't make people unhappy this time around; i think because there is a real feeling of "they could've died if they didn't escape the Unknown, so the stakes were real, they had an arc, this story still matters". and, to me, i think the Hard Worldbuilding is the reality within the world— like the fashions, doorknobs, Wirt and Greg's hometown, as we later see evidence of characters in the Unknown having tombstones and the like in the Wirt and Greg's hometown, there is pieces of reality that carried over beyond death and into the Unknown— whereas the Soft Worldbuilding was the fantastical elements, like the anthromorphic animals, Adelaide's magic, the bluejay curse, the Beast, the pumpkins and skeletons, the lantern, and so on that do not have a real-life equivalent. and one thing that does have a real life equivalent is food, almost all the food in this show is real, even if i wouldnt personally wish potatoes and molasses on my worst enemy. i'll sooner slurp a turtle, like the dog and Auntie Whispers. but also Endicott's food and the tavern food looks so good. but, yeah, we really don't know anything about where these real-life meals are sourced other than that they are real foods you could theoretically make yourself (like Endicott is not eating mashed potatoes, gravy, peas, and some kind of sliced meat like ham), but the one fantasy meal that is those turtles has soooo much mystery surrounding them that it is nigh-infamous how much the creator dodges questions about those lil turts lol so!! if you do want to mix Hard and Soft Worldbuilding, just do so thoughtfully and have there be a consistent and clear line. for OTGW, that's putting a ton of hard-research into real-life, historic equivalents within the Unknown to Wirt and Greg's hometown juxtaposed with extremely soft fantasy elements of the Unknown unexplained as there is no magical equivalent in Wirt and Greg's hometown. consistency, consistency, indeed lol

anyway, hope the free resources help ✌️ thanks for letting me yap about why you should let your characters eat and also maybe pay attention to what they eat lol

Is this anything

[luciferanalyzestar]

Live reaction to Mastermind, ughhhhh.

Spoilers of course.

Gross.

I like this design; she's cute. Shout out to the character designers.

Satan's design is like whatever. Those imp-like horns on the top of his head looks silly. Just more fucking red on top of red. Loveart23's Satan design for her re imagined is peaked.

This shit is fucking gross, please STOP!

This design is bad too and Ozzie's outfit is hideous.

Bee's outfit here is 100% better than her main one.

See Mammon, no one wants you because you are fat and that's gross!!!! >:(((((

Notice that Mammon is the only sin that is overweight and the only one confirmed to be on the asexual spectrum. Levi's design is horrible. Those colors do not go together.

This line would be amazing if Loona wasn't a whole ass adult. This is so melodramatic I am giggling. "I love you guys." Yeah, you threaten to sexual assault them both to Mooxie and stalked them back in season 1. These characters are not "found family". This is the quality of this show now, just ass.

I skipped the song; I'm not listening to that shit. I'm tired of hearing Stolas singing about Blitz, This is a small smile on my face, you know why just look like my username.

YES SATAN!! This shit got me laughing, why he is crying over Stolass?? Fuck him, he is a fetishizer.

This is the FIRST time Stella and Via have interacted....we are at the end of season two. Look guy, she's being EVIL!!!!! and doesn't care about her daughter at all. *eye roll*

What does Stolas even do?? We never seen him do his royal duties, just fucking around with IMP or he is in his mansion.

You want to fuck your sister.

GET IT!! HE EATS A LOT!!!! MAMMON IS FAT!!!!! ISN'T THAT GROSSS!!!!!???????

I WANT TO PUNCH A HOLE IN MY WALL. Viv will never beat the fatphobia allegations. Let fat character exists without doing shit like this.

I notice that all or most of rail thin characters are rarely seen eating food but Mammon and Adam who are fat eat food on the regular.

I'm sending the fandom there too. My new favorite minor character! Thank you, janitor imp. You're a real one for this.

She better not assault Blitz every again.

Why is Blitz bathing him??? This is giving me bad vibes like why????

DROWN!!! Please do us a favor and DROWN!!!

Rating: 2/10

I don't care about Blitz, Stolas, and their relationship. It is boring and bland like dry moldy toast. It being the main "appeal" to Helluva is an awful choice, no one can tell me otherwise. This is why the views have been dropping since the released of Full Moon. The shippers are this show's life support and if they ever become unhappy, this show is tank.

This episode barely kept my attention unlike the previous one. I even paused it to eat some Hawaiian Rolls, and I had more fun eating bread than watching this episode.

The only thing that kept me interested was the small mentions of Lucifer. If did not have a hyper fixation on him, I would probably not finish the episode.

The crew hyping up Vassago by putting him in that pride parade print and other merch is funny because he does nothing. He has no personality out of being Spanish. If something is hyped by Viv or anyone else, it's going to be lame.

We know season three will have more focus on Ars Goetia so he will probably be Stolas' future Latin lover or even worse, a love triangle between him, Stolas, and Blitz. Vassago and Stolas should get together, they both have "ass" in their names.

Viv said this episode is one of her favorites and is self-indulgent. Self-indulgent where??? This is just your standard season two epsiode of Helluva. I thought it was going to be more of a musical episode.

Anyway, this episode is bad in my opinion.

[whipped-for-kpop-fics]

Naive - L.C

💡Who: Lee Chan (Seventeen) x female reader 💡What: Best friends to ??? Angst. Thriller. Soft moments. Dark themes (please check warnings). 18+ 💡Word count: 11.5k 💡Warnings: Profanity. Stalking. Nonconsensual voyeurism. Nonconsensual photos. Cheating. Major injury (Not Chan or reader). Mentions of a car accident. Mentions of sexual harassment. Mentions of panic attacks and almost panic attacks. No smut, but suggestive content, some dirty talk and mentions of sexual acts. Very morally dark character. Drugging. Kidnapping. Restraints. Chan calls reader angel a lot (mostly because I don’t wanna use y/n), and baby in the second half.

Summary: Breakups are always painful, but at least you have your best friend by your side to make everything better. Right?

Minors do NOT interact, which means reblogging and/or commenting on this story. I WILL block any account that interacts without an age indicator in their bio.

-2024 Masterlist-

A/N- I know nothing about flower meanings, it all came straight from Wikipedia so don't blame me for inaccurate meanings, it's just a fic.

“It’s okay, he’s in the past, he’s not worth your tears,” your best friend soothes as you cry into his chest for the third night in a row.

“I-I should’ve li-listened to you,” you sob, gripping his t-shirt tighter and curling up smaller.

“It doesn’t matter now; what matters is you ended it and never have to deal with that asshole again.”

“A-asshole is too kind.”

Chan chuckles and tilts his head against the top of your head yet says nothing more and simply continues to hold you until you run out of tears for your cheating, pervert of an ex-boyfriend. Proving once again that Lee Chan is the only man you can ever trust to be good and honest.

Over a year ago, you met Lee Chan while in the gardening section of the bookstore. It was a cliché romcom moment where you both reached for the same book and your hands met before your eyes did. He smiled at you with a soft little chuckle and said something like “guess we both want to know what Victorian people thought flowers meant”, which somehow led to you both buying a copy of the book on the Victorian language of flowers to take to the nearby coffee shop with the intention of reading side by side. Though very little reading happened, and you found yourself sitting there with Chan for hours; laughing and talking as if you’ve known one another for years. It was like he was made to be the other half of you, designed with only you in mind.

At first, you thought maybe it was true; that Chan was your romantic soulmate. But you were seeing someone else at the time and pushed the thought of Chan being anything but platonic entirely out of your mind.

It’s a year and multiple failed relationships later, while you’re out shopping on a rare day off, that something changes.

“What do you think of this one?” Chan asks, drawing your attention to where he’s a few racks away donned in the black, leather biker jacket he just found on the men’s sale rack.

“Oh,” you murmur, suddenly hit with the realisation that your best friend is ridiculously attractive.

It’s not that you’ve ever thought Chan is ugly; in fact, you first paid attention to him in the bookstore past a glance because of how handsome he is. But that was over a year ago and your thoughts have never moved on from considering him the same kind of beautiful as you would a piece of art that you see in a store, yet easily move on past without looking back.

Yet now, you’ve noticed and suddenly can’t draw your eyes away from him.

“Hello?” Chan laughs, waving his arms to bring you back to reality when you do nothing more than stare at him for almost a full minute. “You alright? Getting hungry?” He pouts at you teasingly. “Does the baby need num nums?”

“I hate it when you say that” you remind and stick your middle finger up at him, making him laugh while you turn back to the sale rack you had been looking through.

“I know, why do you think I say it?” He cackles and bounces over to prod you and gain your attention back. “You didn’t say what you think? Do I look sexy?” He wiggles his eyebrows at you while posing in the jacket. “Should I get it?”

“Yeah,” you answer with a nod after taking his body in once more and turning away.

“Was that yes to getting it, or that I look sexy?” He murmurs from suddenly behind you with his mouth right by your ear. You jolt in surprise having not heard him approach, then turn to whack his arm while he cracks up laughing. “You think I’m sexyyy!” He sings loudly, just to annoy you.

“Why are we best friends again?”

“I took pity on you and your bad taste in men.” He definitely deserves the hit this time, even if he’s right.

Ever since you’ve known Chan, you’ve had nothing but terrible luck with picking men to date. You always think they’re okay at first, but then the red flags start popping up and begin waving manically in the hot air spewing from their mouths.

You really thought you had run out of bad luck and finally picked a good one with your ex. He was kind and endlessly attractive; a hard worker, yet always made time for fun and relaxation; and his parents loved you.

It lasted a whole seven months before you found another woman’s underwear in his car, and you realised you should’ve listened to Chan’s gut feeling about Kyle from the start. Finding a stack of polaroids of various women getting changed when you were emptying his apartment of your belongings that same night only made the heartache worse. Not only did he cheat on you, but he also likes to take photos of unsuspecting women through windows and cracked doors.

Upon turning your back on him three weeks ago, you decided to give up on men and always listen to Chan’s gut instincts from now on.

You don’t need a boyfriend; you just need your best friend.

Just when you’re about to leave your apartment building to meet with Chan for lunch one day, you come face to face with your ex. He looks, frankly put, like shit. He used to be so well put together, never to an obsessive degree but he was always well rested and tidy, but now he looks like he hasn’t slept or eaten in at least two days with his hair sticking up a little as if he’s been running his hands through it repeatedly. He’s still wearing nice clothes, but they’re creased, and his shoes aren’t even properly tied.

“What are you doing here?” You hiss while glaring at the man and trying to step past him, but he gets in your path with his hands held up placatingly; he even doesn’t attempt to touch you or get in your personal space.

Vaguely, you think how weird it is of him to respect that boundary yet have polaroids of you half naked in the changing room at your gym. A completely separate gym to the one he frequents too, which somehow makes it even worse; that he went so far out of his way to take the photos you never consented to.

“I just want to talk to you, please? Just a few minutes and I’ll go, and you’ll never see me again,” he pleads. The genuine desperation in his eyes makes you relent and nod. “Can we go somewhere a little less public? I’m not asking to go somewhere isolated, just not the middle of the building lobby.”

Again, you relent and move to the side of the lobby out of the light foot traffic; still perfectly in sight of others yet far enough away to have a private conversation.

“Thank you,” he breathes out gratefully and relaxes a little as you lean one shoulder against the wall with your arms crossed over your chest.

“What is it? I’m going to be late to meet Chan.”

“Right, how is he?”

“Good, it’s Chan. He’s always good.” The words are a little pointed, designed to hurt, and the way his features flinch at the jab sends a little surge of satisfaction into you. Though there’s something in you aching at that same hurt in his eyes; it looks too real.

“Yeah, he’s a good guy,” he agrees softly, and you hum. “So uh, I just…I can’t stop thinking about what happened.”

“Cheating on me or taking photos of women without their consent?” You question, glaring again at the reminder of why you want nothing to do with this man before you. This pathetic, sad eyed, mess of a man.

It’s funny how far he’s fallen in so little time. Strange how a man who cheated on you in the backseat of the same car he often pulled you into with shared giggles, can break so much at being called out on his misdeeds.

You really thought he would just move on to the next conquest and forget all about you for good, just like he did while with the other woman. Or women. You never asked how many there were.

Yet the man before you doesn’t seem to have moved on at all.

“I didn’t do either of those things,” he repeats the words he had said to you a little over a month ago. You didn’t believe him then; you were so full of anger and betrayal as you tried to cradle the pieces of your shattered heart and hoped he hadn’t stolen any of the pieces leaving you unable to stitch it back together again.

Now that you’ve let go of most of your anger and Chan has helped you in putting the pieces back together to the point that your heart is almost whole and healing, you can see through the pain and tears and notice that this man in front of you looks genuine. He’s looking at you without any attempt to look aside or shrink away. He isn’t hiding.

“I found underwear in your car Kyle,” you point out, holding your ground even if you suddenly realise that something here doesn’t feel right. “And those photos in your apartment.”

“I know, I know, and I’ve been trying to figure out how the fuck they got there because it wasn’t me.”

“You live alone and don’t share your car.”

“I know!” He exclaims, hands flying up in frustration, though it doesn’t feel like it’s aimed at you, especially as he steps back to make certain that he doesn’t accidentally hit you. Kyle’s always been considerate like that; always made sure to give you a wide berth when he flung his arms around in play or frustration. But that doesn’t mean he can’t be a cheating pervert. A man can be against physically harming his partner and still betray their trust so deeply.

“Then only you could’ve put them there.”

“No, no, I didn’t though,” he steps closer while lifting his hands between you, though he brings them to his own chest instead of touching you. “Look me in the eye and tell me I have ever done a thing to make you think I would cheat on you or take photos without consent. I never even asked you for pictures; you were the one who offered and asked if you could send me pictures months into our relationship.”

The thing is, he’s right. Although you did have sex regularly and he would send you dirty texts when he was in the mood, Kyle never asked for nudes. You had to be the one to bring it up and ask if he was against that kind of thing.

Now that he brings it up, you can vividly recall him telling you that does enjoy nudes and would certainly enjoy seeing photos of you like that, but he also knows how dangerous they can be to send and receive because of hacking, losing phones or breaking up. He had been so genuine about it and triple checked that you were comfortable with it entirely before giving you consent to send him photos whenever you wanted.

“You had those polaroids, you didn’t need me to send you any,” you reason in a mumble. You don’t even know if you believe what you’re saying at this point, or if you’re just trying to explain the behaviour away. Something isn’t sitting right in you.

“Why would I want polaroids of random women I don’t even know when I have you?” He asks, eyes silently begging you to understand.

“There were photos of me too,” you answer.

“What?” He frowns confusedly. “I didn’t see those, just the top ones before you took them all away.”

“You know I was in there, at the gym changing rooms.”

“I’ve never been anywhere near your gym!” He puts his face in his hands. “I don’t understand what the fuck is going on. I swear I have never been to your gym.” He looks at you imploringly as his hands drop. “And you know I keep my car clean, there’s no way I would’ve failed to notice that underwear; so if I did cheat on you, do you really think I’d miss the evidence and leave them somewhere you’d see them?”

You open your mouth to retort automatically, only to realise there isn’t a single word ready to roll off your tongue. He’s making far too much sense and that doesn’t make sense.

He cheated on you. He’s a pervert who takes photos of unsuspecting women in vulnerable situations. He’s a terrible person.

At least, you thought he was.

Maybe Chan is right and you’re just naïve when faced with a handsome man giving you big puppy dog eyes.

“I need to go,” you decide after a few long moments of trying to form some kind of reaction other than staring at him with furrowed brows. “Chan’s waiting.”

“Right,” Kyle lets out a disappointed sigh, yet nods resignedly and steps back as if giving you space to leave. He hadn’t been in your way in the first place but it’s a silent sign that he won’t try to stop you. “I guess I can’t say anything else to convince you that I didn’t do those things, and I never would. I…I wanted to marry you, you know?”

“What?” You whisper in shock, eyebrows lifting as your eyes turn wide. “Marry me?”

“Yeah,” he lets out a soft, humourless laugh and runs one hand through his hair while looking aside, a shy flush creeping onto his neck and ears. “I was in love with you.”

“You were?”

“Yeah, well, no, actually, that’s a lie.” He looks at you and catches the way your face falls into a frown hearing him admitting to lying to your face like that. “I’m still so fucking in love with you that I can’t function properly knowing you hate me. I’m not asking you to come back to me; I know that won’t happen. I’m just…asking you to really think about it, about us, and me. I never lied to you, never showed you a false me. You know me better than anyone else. Do you really believe I did those things?”

“What took you so long?” Chan pouts at you when you sit down in your usual seat opposite him at your usual table in your usual café. “Angel?”

“Uh, so Kyle was at my apartment,” you inform, picking up your mug that’s been waiting for you for ten minutes already thanks to Chan always ordering for you both. Usually you arrive minutes before your food and drinks arrive, but today you’re late for the first time.

“What?” Chan’s face drops so drastically it throws you off for a second. You’ve never seen such a dark expression on him; you’ve never seen him so entirely void of any light. He doesn’t look like your best friend. “Your apartment? Did he force himself in? Did he hurt you?”

“No, no, I meant the lobby and no, he’s never hurt me. He wouldn’t do that.”

“He cheated on you, took fucking creeper shots of you in your gym and you think he’s above putting his hands on you?” He scoffs, shaking his head a little and pushes the salt across the table to you. You hadn’t asked for it, but you will before you start eating.

He’s always doing thoughtful little things like that for you, but you’ve never really noticed it until the last weeks. Silently noticing what you need and giving it to you with a smile.

But he’s not smiling now. He looks concerned now, rounded eyes locked on you and head tilted down a little as he frowns, almost looking at you through his eyelashes. “I don’t want to be mean or anything, but he fooled you before, angel, he’s clearly trying to do it again. I don’t know what he said to you, but you’ve got that lost look you get when you don’t know what to do.”

“He made good points, Channie,” you reply as you salt your fries before putting the shaker down. Chan doesn’t even look at it past a quick glance before sliding it back to its home out of the way.

“What good points could he have for cheating on you?”

“He said he didn’t do it-” Chan sighs heavily, cutting you off.

“Angel, he said that before, remember? Why do you suddenly believe that piece of shit?”

“Because…he looked honest.”

Chan stares at you for a moment before he sighs and reaches over to hold your hands. “I say this with all the love in me, but you’re not the best judge of character, angel. You’re naïve, innocent. I love that you see the good in the world and everyone, really, I fucking love it; it’s really sweet and cute. But it’s going to get you hurt all over again if you let him fool you like this.”

You look down at your hands in Chan’s, then back up at his face. His gaze is entirely open; big eyes and soft, naturally pouting lips. Your heart skips a beat.

You look away while nodding in understanding, silently telling him that you’re listening to him as you free your hands so that you can pick up your fork.

“Good, I really don’t want to see you hurt again like that. It broke my heart,” Chan says, relaxing as he picks up his own fork to stab too many fries onto the prongs, which he then points at you. “If you break my heart again like that, I’m stealing your TV.”

“My TV?” You sputter in surprise before laughing. Chan grins around the too many fries in his mouth and nods. “You’re ridiculous.”

“You love me though,” he sings around his mouthful while stabbing more fries.

Even with the view of his partially chewed food in his mouth, you can’t really deny it.

“No! Stop it!” You giggle while trying to block Chan from entering your kitchen behind you. “It’s not ready!”

“Just tell me what you’re doing!” He replies, laughing along with you as he tries to dart around you.

“Not yet! Just wait, you impatient shit!”

“No!” He wraps his arms around your waist to pull you away from the doorway and spin you both, so his back is to the kitchen now instead of yours. “Ha!”

“No!” You gasp and reach out, grabbing fistfuls of his t-shirt and in a panic, you yank him closer harshly, unintentionally making him stumble into you.

“Shit, are you okay?” He worries once you’re both steady and he’s holding your upper arms to nudge you back just enough that he can look at your face. You’re frowning, though he can only see your furrowed eyebrows thanks to your hand being over most of the bottom half of your face to cup your nose as his shoulder had collided with it. “Oh, did I hurt you?”

“Asshole,” you murmur while nodding, even if it doesn’t hurt that much; you just honestly like being doted on by your best friend to the extent that you are willing to play up minor injuries to gain his gentle touch and attention.

“I’m so sorry, I didn’t mean to,” he apologises, frowning at you as he carefully tugs your hand down. “Let Doctor Channie see.”

“You’d be a terrible doctor,” you reply, moving your hand down to let him cup your face so that he can tilt your head into the light coming in through the windows and see your features better.

“What? I’d be great!” He defends, pouting at you offendedly.

“You thought the uvula is what you pee from.”

“It’s not my fault!” He blushes a little at the reminder of his innocent mix up. “Nobody told me that dangly thing isn’t tonsils! And the pee pipe thingy starts with a U too!”

“Urethra.”

“Exactly, they’re so similar! They should name them differently. Anyway, that doesn’t mean anything, I’d still be a good doctor.”

“Yeah, until you try to catheter someone’s throat.” His expression turns unimpressed, and you can’t help but giggle. He rolls his eyes as his lips turn up into a smile.

“You’re lucky you’re cute,” he murmurs, turning his attention back to your slightly red nose.

“Mm, so what’s the verdict doc?” You tease, poking at his stomach and trying not to focus on the physical reminder that your best friend has abs under his baggy clothes.

“I think you’ll be okay with the right treatment.”

“And what treatment is that?”

“The best thing for a boo-boo,” he replies seriously, and then visibly nearly breaks into a laugh at the almost glare you land on him. “What?”

“I’m not a baby.”

“Yes you are. My baby,” he coos and taps his thumbs to your cheeks. You hope he doesn’t see or feel the way they warm at his words. “I specialise in baby angels, I know this.”

“You’re seriously ridiculous.”

“Mm, so, are you consenting to Doctor Channie’s effective boo-boo treatment?”

You raise an eyebrow at him. “You haven’t told me what it is yet.”

“You know what the treatment for a boo-boo is, angel,” he chuckles and tilts forward to press a soft kiss to the tip of your nose. “Like that.”

“I didn’t consent to that treatment, I can sue you,” you mumble, trying to distract from the growing pink on your cheeks. Chan’s eyes glide over your features, lips turning up into a soft smile. “Stop smiling at me like that!” You whine, slapping his waist so gently that it can’t even be classed at a slap, more like you’re just putting your hands on his waist with a little force.

“But you’re so fucking cute,” he reasons, smiling wider. “My cute baby,” he murmurs lowly and brushes his nose against yours gently. Your breath hitches at the tender action while your fingers curl reflexively to loosely grip his t-shirt. “Do I have consent to administer treatment, angel?” He whispers, lips so close to yours that you can almost feel them moving as he talks.

“I…” Just as you start to nod, your phone starts to ring in the kitchen, making you jump in surprise and jolt away from Chan in a natural reaction to the unexpected noise. “I should get that.”

“Right,” Chan mutters, dropping his arms to his side with a disappointed frown as he watches you scoot around him to enter the kitchen.

When you pick up your phone from the counter, you’re more than just a little surprised to see your ex’s mother calling you.

You haven’t heard from her since the breakup when she messaged you to say that she doesn’t know what happened, but she hopes that you and her can still be friends as she values you so highly. You hadn’t responded then; you hadn’t wanted to interact with anyone who you knew through him, even if you had regret ghosting her afterwards because she genuinely is such a lovely woman who always treated you lovingly.

Still, even with the period of no contact between you, you pick your phone up to answer the call. “Hello?”

“O-oh thank goodness,” the still familiar voice sobs in relief.

“Auntie? What is it? What’s wrong?”

“It’s Kyle, there-there’s been an accident.”

Just over an hour after receiving the call, you’re tucked up in between Kyle’s parents on the couch of the private room with their arms around you, both of them crying for their son as you do your best to comfort them while feeling numb yourself. You’re too in shock at the sight of the heavily injured man laid unconscious on the bed to process it.

When you had arrived with Chan right behind you, the pair had just about managed to tell you through their tears that Kyle had been driving to work that morning when another vehicle had violently run him off of the road.

It had been on such a quiet road so early that nobody else was around; no witnesses to give details of the other car, nor to run to his aide or call for help. By the time someone found the wreck in the ditch, it had been long enough that too much damage had been done.

And now, even after hours of surgery, there’s no knowing if Kyle will make it through the night, let alone wake up again. There’s only waiting.

So, you wait.

“They’ll call if there’s any sign,” Chan reminds as he helps you out of your jacket. “You spent two days by his side, angel, there’s nothing more you can do for him. He’s not your responsibility or person to care for anymore. His parents and sister are there, and they promised to call you.”

“I know,” you reply, moving woodenly as Chan leads you through your apartment to the kitchen with his hand in yours to keep you moving.

He flicks on the light and falls still at the sight of the mess you left on the counter from leaving so quickly three evenings ago to get to the hospital. He never learned what you had been refusing to let him see until now. “Cake,” he murmurs, noticing the half decorated cake on the counter, surrounded by all the items you had been using to decorate it.

“For your new job,” you reply with a shrug. “It’s no good now. Sorry, I’ll buy you a replacement tomorrow.”

“No, no, you don’t have to. Just knowing is enough for me,” Chan assures, turning to bring you in to hold against his chest where you melt against him with an exhale. “I appreciate the thought and effort you went to, angel; that means more than a store bought cake ever could.”

“I’m sorry I didn’t finish it.”

“It’s not your fault. Let’s order something for dinner and while it’s on its way, I’ll clean this up while you go shower.”

“Do I smell?” You mumble against his shoulder.

“Like sadness,” he retorts with a joking edge to his sombre tone that makes you jab your fingers into his waist in scold. He yelps and contorts away from your fingers without releasing his arms from around you. “And meanness.”

“Meanness,” you repeat, scoffing a short laugh and leaning back from his shoulder to look at him.

“Yes. It’s mean to take advantage of my weak spots.”

“You do it to me all the time.”

“Yes, but you’re the nice one, my angel,” he coos, pinching your cheek before he lets you go to nudge you out of the kitchen while you try to recall just when it got so normal for Chan to call you his.

Since becoming best friends with Chan, it’s not unusual at all to return home and find him in your apartment as if he owns the place. Honestly, you genuinely think he spends more time in your apartment than his own, especially the past couple months. The couch is practically his bed at this point.

What is very unusual however, is to arrive home to find the door slightly open and hear another voice talking with Chan from inside your apartment.

“Chan?” You call in a cautious, soft voice as you nudge the door open and peer around it.

“Hi, angel, welcome home,” Chan greets, smiling at you and motioning you to join him opposite the two uniformed police officers standing and talking to him in the entrance hall.

“What’s going on, Channie?” You ask as you stand at his side and cling to his hand while remaining just a little behind him and away from the officers. They’re both taller than you and Chan, with one of them being thick with muscle and rather intimidating. Though when he smiles at you in polite greeting, most of the fear melts away.

“This is Officer Choi Seungcheol and Officer Chwe Hansol, they’re here to talk to you about Kyle,” Chan explains, motioning to each man in turn.

“Is there news on who ran him off the road?” You ask, looking at the two men with hope in your eyes and chest. It’s been over a week since the incident and there hasn’t been any more information about who put Kyle into such a devastating condition.

The last you heard, they had managed to get sight of a damaged SUV in the general vicinity from CCTV a handful of roads away, but the plates turned out to be stolen from another car across the country over a year ago and the windows were blacked out so there’s no way to tell who was driving the car. Whoever it was clearly knows the streets well enough that they escaped the CCTV quickly and the vehicle hasn’t shown up since. Nor has one matching the description been scrapped or sent to be fixed.

“That’s not our department,” the intimidating officer, Seungcheol, replies while giving you another gentle little smile. “I’m afraid we’re from the sexual crimes division, ma’am.”

“Sexual crimes?” You whisper in shock. “Wh-what?”

“We’ve received reports that Kyle has sexually harassed and stalked multiple women over the past year.”

“No, he-he wouldn’t-” you argue, shaking your head as your hands start to tremble ever so slightly, so you hold onto Chan’s hand tighter with both of yours to try and cease the shuddering movements. “You’re wrong.”

“I understand that it’s hard to hear these things about someone you thought you knew, but we have to follow up every lead we have to get all the information we need to press charges.”

“He’s in a hospital bed!” You baulk and let out an incredulous laugh. “You want to charge a man who might not even wake up? What kind of a person are you?!”

“It’s not our choice, ma’am. We’re just doing our jobs and trying to get justice for the victims.”

“I’m not having any part in this. I have nothing to say to you. He never did a thing wrong to me. Get out,” you insist, pointing to the door. “I’m not going to let you bring these accusations into my home without proof.”

“We have proof,” the other officer speaks up, earning a slightly disapproving look from his partner, but he isn’t stopped. “We saw proof ourselves; photos of women taken from outside of windows and other positions that clearly show a lack of consent. And a hidden, digital diary alluding to the acts that match up with statements we received from victims.”

“Photos?” You repeat disbelievingly.

“Yes ma’am, and I’m afraid you were in some. Based on the angle and quality, we believe the photos were taken from a roof into what we can only assume is your own bedroom.”

“My bedroom?”

“Yes ma’am. May we see your room and take photos for comparative purposes?”

“My bedroom…” You can only repeat, too in shock to do anything else as you stare dumbly at the two uniformed men in front of you.

“I think she needs a moment,” Chan says while putting his arm around you to support your gradually weakening body.

“Of course, we’ll wait right here,” Seungcheol agrees in a gentle tone and nods understandingly.

Chan carefully takes you to the living room to sit you on the couch and kneels in front of you. “Baby, breathe, come on,” he encourages softly as he holds your face. “You’re going to have a panic attack if you don’t copy me, come on.” He starts to take exaggerated breaths; big inhale, hold, slow exhale.

You blink at him unseeingly for a few of his breaths before your eyes drop to his mouth and you naturally copy the man who has helped you level your breathing more times than you can count the past year.

“That’s it, that’s my girl,” he praises. “A few more for me, you can do a few more for your Channie, right?” You nod so he smiles and takes a handful more deep, steadying breaths, each of which you obediently copy. “Good, well done.” He leans forward and kisses your head. “I’ll deal with the cops, okay? You just sit here and let your Channie handle it all. You just relax, angel.”

There isn’t a single part of you that wants to face the officers and their accusations again, so you simply nod and let Chan tuck a blanket around you as you curl up against the back of the sofa, before he turns on the TV just loud enough that when he goes back into the hall to talk to the two men, you can’t make out their low murmuring voices.

Throughout the remainder of the visit from the two officers, you don’t move, just sit staring blankly at the cushions in front of you as your mind whirls.

You don’t know what to believe. When Kyle had visited you that day, you really did believe him. Even now, there’s a part of you that struggles to believe the sincerity in his eyes and voice to be nothing more than a clever act to fool you. He has never laid a hand on you, never forced you to do anything or kicked up a fuss if you rejected his advances. Kyle was good.

Or maybe not.

If the police aren’t lying to you, then they have proof; more photos, even though you took the ones you found that time and burned them all, and witness accounts, or well, victim’s statements would be the correct term.

You know it’s possible to spend your entire life with a person and never truly know them, but you truly had thought that you knew Kyle. You had been so close to falling in love with him; that’s why it had hurt so much. You truly had believed that one day, you’d fall mutually in love with him, with a good man, and have a happy life together.

But all this; the accusations, the proof you had found yourself even if you still struggle to accept it at face value, it just goes to show that you never really know a person.

“They’re gone,” Chan’s voice breaks you from your thoughts. You turn your head to watch him cross the living room to sit at your side and invite himself under the blanket. He puts his left arm on the back of the couch in a silent offer that you readily accept, shuffling closer to tuck up under his arm and settle when it’s around you securely.

“Was it my room?” You ask, not really sure if you want to know the answer. But you need to.

Chan lets out a breath that sounds like a reluctant sigh. It’s almost answer enough, yet you need to hear it. “Yeah, angel, it looks like it was your room. They took photos and are going to go to the roof of the motel opposite to take a photo from there to see if it matches. I’ve given them my number to keep me updated and so they contact me if they need to, not you. I told them about the photos you found too and that you burned them so no-one else can have them.”

“Should-should I have reported him then?” You wonder, suddenly worried that you had potentially endangered women by not stepping up.

“Maybe,” he replies in a way that you just know means he thinks you should’ve, but he doesn’t want to upset you.

You curl up smaller and turn your face into his shoulder to let the familiar, soothing scent of his cologne and laundry detergent ease you.

Chan tilts his head on top of yours and holds you that bit tighter. “At least he can’t hurt anyone else anymore.”

The words are supposed to be comforting, but they don’t comfort you at all.

The news comes only a few days later.

It didn’t take long to gather evidence to support the accusations against Kyle. The warrant for his home turned up the photos and a hidden memory stick containing a written diary with documents matching dates of some of the statements, though many more entries without a woman to match to the words. The police just had to confirm the evidence and talk to some people before moving forward with it, like they did with you and Chan.

If it wasn’t for Kyle’s condition, the case would’ve been closed only two days after the police visited you, and he would’ve been sent off to prison. As it is, the man still hasn’t woken and the doctors aren’t confident that he ever will, so he can’t really be held accountable for his actions.

When Chan tells you the news, you feel bad that for the first time, you’re glad that Kyle is unconscious and likely to never wake up; at least this way, he won’t have to face the accusations which a part of you still can’t believe are true.

What you are finally letting yourself believe though, are all the times Chan called you naïve.

“Delivery for the cutest baby angel to have ever existed,” comes the greeting from behind the massive bouquet of flowers almost shoved in your face the very moment you open the front door of your apartment to see who has been insistently ringing the bell.

“That is an obscene amount of flowers,” you murmur while eyeing the bouquet.

It lowers and your best friend’s head appears as he pouts at you cutely. “Don’t you want it?”

“Gimmie,” you encourage, making grabby hands. Chan grins and hands you the bouquet, which is literally three times bigger than your head, before stepping into the apartment while you wander off, happily admiring and sniffing the multitude of flowers.

It’s not unusual for Chan to bring you flowers at all; rather, it’s unusual for your home to not have flowers gifted to you from your best friend. Even if he can’t visit you he sends you flowers at least weekly, and the ones he sends tend to always be more extravagant as if he’s making up for not giving them to you in person.

Every single bouquet is always handpicked by Chan; he always chooses which flowers to give you, not based on their colour or scent but for the meaning.

One of the things that helped you and Chan bond when you first met was your shared love of flowers and their meanings. You both know the meanings of a vast array of flowers, and he always includes yellow roses in his bouquet to symbolise your friendship.

Today is no different; there is an abundance of yellow roses in the bouquet, but there are a mixture of other flowers often in yellow themes, as it seems rather common for yellow flowers to symbolise friendship and happiness.

But sometimes there’s other colours; a little pop of pink tulips to show he cares, white carnations with a cheeky wink as he calls you baby angel, fragrant lavender to remind you of his loyalty to your friendship. Every bouquet is carefully crafted as a message; to tell you that Chan is your best friend and will always be there to love and support you.

And today, right there amongst the usual flowers, a handful of light pink roses.

You run through your mental list of flower meanings. Pink roses tend to mean grace, dark pink for gratitude and light pink has a few meanings just like many flowers. Many of the flowers Chan gives you have multiple meanings, but when put together the bouquets he gives you all mean the same thing. However, light pink roses aren’t used to symbolise friendship, innocence, or care. They mean youth, energy, passion, desire. None of those really blend with the rest of the bouquet’s meaning and it throws you for a loop.

“Did they put in the wrong flower?” You ask, pointing to the light pink roses as you look over at Chan puzzled. He walks over to peer at the bouquet and where you’re motioning, before shaking his head. “But they don’t mean friendship,” you mumble confusedly and look at the flowers again as you try to decipher their reasoning.

Chan doesn’t say a word, just leans his left hip against the counter, left palm on the surface and right hand fiddling with the unused belt loop on your jeans as he waits.

“Wait!” You turn to face him while pointing an accusing finger at him. “Is this you calling me a baby again? Light pink roses for youth?”

Chan chuckles and shakes his head, sliding two of his fingers into the loop now you’re facing one another and letting his palm settle against your hip. “No, it’s not that, though that’s a good one, I should’ve thought of that.”

“Then what?” You tilt your head a little, pouting naturally with your innocent confusion.

“You know. I know you know this one, angel,” he encourages and tugs you closer.

“Joy of life?” You offer, too used to him leading you around and being physically affectionate to really register how close he has you, or how his thumb is gradually tugging at your t-shirt where it’s tucked into your jeans.

“No.”

“Well it’s certainly not energy, you always say I lack energy. Or are you trying to like, manifest energy for me?”

“No, but once again, that’s good, I’ll make you a manifestation bouquet one day soon.”

“Then what? I’m confused, Chan.”

“Want me to tell you?” You nod in confirmation. “What if I show you?”

“What?”

He smirks a little, then pushes off of the counter and cups your jaw with his left hand. “Should I tell you, or show you, baby?” He murmurs, voice pitching low in a way that sends shivers up and down your spine. He leans in closer, brushing his nose against your cheek and nose in a teasing manner, but he doesn’t do anything more. “Well?”

It takes a few seconds for you to react; your heart is racing with anticipation, and you need to swallow a few times. He pulls back and notices your gaze slide down to his lips. “Show me,” you say in a voice so soft and shy it’s practically a whisper.

Chan doesn’t need to be told twice; he darts forward to slot his lips against yours for the first time. There’s no hesitance in his movements, no gentle teasing and dancing as he eases you into it; he kisses you passionately from the first moment, guiding your head to tilt in the perfect angle to deepen the kiss to a filthy degree when he coaxes your mouth open only seconds after his lips touch yours.

You never expected this from Chan; never imagined he’d kiss in such a manner that you feel like he’s consuming your heart and soul in the best of ways. He’s only been kissing you for a few seconds, yet your knees are weak, and you have to cling to him to keep yourself upright.

The moment your hand grips the back of his neck, Chan groans in pleased approval against your mouth and pins you roughly against the counter; his hips pressed against yours and his right hand giving up being subtle about his wants as he yanks your t-shirt out of the waistband of your jeans so that he can slide his hand underneath and run his palm against your bare skin.

Of course, a kiss that passionate can’t go on for too long, you especially need to catch your breath as you hadn’t been prepared at all for the intensity and keep forgetting to breathe as your lips and tongue move with his.

Though when you press against his chest and turn your head aside slightly to try and catch your breath, Chan doesn’t stop kissing you, he just relocates his focus, leaving a trail of hot, open mouthed kisses over your jaw and down your neck.

“Wanted you for so fucking long, angel,” he admits, voice thick with arousal and sounding unfairly in breath even if his chest is heaving too. He drags his teeth over the crook of your neck making you gasp and grip him tighter. “Driving me crazy, ‘m so hard. Can I have you? Can I take you to bed and drown in your pussy? Fuck you so hard I owe you a new bed?”

“Fuck,” you breathe out and grab a handful of his hair to drag him back up. His eyes are so hooded that you’re not certain he’s even looking at you. He looks so far gone and it does dangerous things to you. “Y-you do so much for me, Chan.”

“What?” He blinks away some of the lust dazing him to peer at you confusedly, and a little offended and the out of place comment. “What are you talking about all of a sudden? I’m trying to take you to bed, and you say that? You can just say no, not do some weird speech.”

“I’m not doing that,” you assure and move your left hand off of his shoulder, down his torso and under his oversized t-shirt to find the button of his jeans. He looks down in surprise, then back up at you with desire flooding back into his expression and eyes as you skilfully get his jeans open. Neither of you care that they immediately drop to the floor around his ankles with the jangle of his keys in his pocket, as you get your hand in his boxers. “Let me do this for you.”

“Fuck, yeah, yeah, whatever you want angel,” he approves before leaning in to seal your lips back together.

After your tryst in the kitchen, which lead to half of the bouquet getting destroyed when Chan bent you over the counter chest first into the flowers, sex is suddenly on the table for the two of you. Often literally. It seems as if that encounter opened the floodgates of a year of repressed desire from Chan and alerted you to the fact that his passion is more than just a little reciprocated.

Of course, you’ve known for a while now that you’re attracted to Chan; ever since the realisation that day in the store thanks to the leather jacket, which he is often prancing around in, especially since he’s realised how much you like him in it. Sometimes he’ll even turn up at your apartment, open the zip of his jacket and reveal that he’s wearing nothing but your marks underneath, leading to you pinning him to the closest surface to expand on the collection.

What you hadn’t known is just how deep your attraction runs. That at some point within you, the lust starts to morph and before it reaches your chest, it turns to a love which squeezes your heart a little every time he slows down to press a soft kiss to your lips, or you find him looking at you with eyes sparkling with adoration.  

You never imagined that you would fall for your best friend, yet here you are, weeks into your relationship turning sexual, and falling asleep naked in his arms more often than not while not wanting the morning to come because you know he’ll leave before you’re awake so that he can go home and get ready for work.

There’s a part of you that has, on more than one occasion, almost blurted out that he should just bring his work clothes over; you’ve already made space in the wardrobe to hang his shirts and space in the drawer for his trousers. But you don’t.

As much as you’ve come to understand and accept that the love you feel for Chan is no longer purely platonic, you aren’t ready to move on from your ex. There’s still a piece of your heart in Kyle’s hands, even if they are limp in his hospital bed and your heart should’ve been released back to you months ago.

You’ve tried to move on; you thought it would’ve happened naturally thanks to your recently developed feelings for your best friend and the regular sessions of getting fucked dumb into various surfaces by the man.

Still, Kyle remains, and you don’t understand why your heart won’t let you love Chan entirely.

You hope that Chan is happy with this; that he’s content to spend spare moments between your usual hangouts and your thighs. You don’t want to have to tell him that you’re not over Kyle; you know that Chan doesn’t like the man. Although he never voices his displeasure in you still visiting the Kyle in the hospital, you can always see it in his eyes when you leave and how he fucks you that bit harder when you return.

Hope, it seems, is still stubbornly stuck in the bottom of the box, and has no place in the real world, especially not yours.

“You have a key,” you point out flatly when you open the door having expected the takeout you’ve ordered for dinner for yourself and Chan, yet find the man himself on the other side of the door with his hands behind his back and still wearing his work clothes. “What’re you hiding? Please tell me it’s dinner; I thought you’re the delivery man you know?”

“It’s not dinner,” he chuckles, then brings his hands around to reveal this week’s bouquet. Tulips; red, yellow, and orange. Love.

“Chan…” you trail off, not sure what to say and expression downturned when you look up at him. You can practically see the moment you break his heart.

“Oh, I guess I misread this,” he smiles embarrassed and awkward, even with the pain evident in his eyes. “I thought that you might return my feelings finally, but I guess not.”

“You’re not wrong,” you confess softly. “I just…I’m not over Kyle.”

“What?” His features scrunch in bewilderment. “You’re not over the man who would be arrested for sexual harassment and stalking right now if not in a coma? Am I hearing that right?”

“I still can’t connect that to the man I knew.”

“He really fucked with your head, didn’t he?” His arms lower defeatedly.

“No, he didn’t. He was just…good to me.”

“He cheated on you, angel, he wrote about it in his diary and other women have said as much too. What’s it going to take for you to accept that and move on?”

“I-I don’t know, Chan. I’m sorry but I just can’t do that. I’ve tried to get over him, but it hasn’t happened.”

“Well…I’m not going anywhere,” he declares and steps forward to offer the bouquet. “You may not be able to love me and be with me the way I want, but I still love you, with everything in me and I’ll be here for you all the same.”

“Won’t that hurt you?”

“Baby,” he chuckles and tenderly cups your cheek in one hand, the other still holding the tulips you’ve yet to accept. “I’ve loved you since the moment I first laid my eyes on you; I’ve been by your side through all of the assholes you gave your time to, even if they didn’t deserve it. This one will pass too.”

“What if it doesn’t?”

“It will,” a flash of determination appears in his eyes as he smiles at you. “You’ll be mine soon enough, I promise you that, angel.”

At first, you had been cautious with Chan after his confession. You don’t want to hurt him and make him suffer at your side, so you pulled back on the affection and stopped the sexual aspect of your relationship entirely. Chan hadn’t been very happy and pouted at you when you turned him down the first time, but he didn’t push it and accepted it. Though he still reaches out to pull you close to hold and well, you don’t really want to quit him truthfully, so you let that happen.

After a few weeks, it’s as if the month of mind-blowing sex never happened and you and Chan are back to being nothing more than best friends. He keeps to his word and remains by your side as he always has, with no pushing or attempts to get you to reconsider and accept his love wholeheartedly.

Maybe that’s why one day when you’re laid side by side on a picnic blanket looking up at the stars with the snacks and drinks, which Chan supplied for the stargazing session, contently settling in your belly, you look at him and for the first time, you don’t feel as if your heart is missing a single piece.

“What?” Chan asks, side eyeing you amusedly when you’ve been staring at him instead of the sky for a few seconds too long. “Are you about to tell me that the stars in the sky don’t sparkle as bright as the stars in my eyes?”

“Where do you even come up with this stuff?” You laugh and nudge him playfully before sitting up. “Whoa,” you murmur when your head spins, eyes slamming closed and hands flying out to try and balance yourself.

“Angel, what’s wrong?” Chan’s hands are on you in seconds as he sits up to support you.

“M wobbly,” you slur, trying to look at him as your hands grip him tight. “Channie,” you start to panic as the dizziness doesn’t subside at all, if anything it feels like it’s getting worse as he starts to multiply before your eyes. “S-something’s wrong.”

“Shh, it’s okay, Channie’s got you, lay down angel, Channie’s got you,” he soothes, gently laying you back down on the blanket and propping himself up on his right elbow as his left hand cups your cheek. “You’ll feel better soon; just close your eyes and let your Channie look after you.”

“Chan…” You’re finding it harder and harder to move your body with every second. It feels as if your muscles are turning to sludge and bones rubber. You try to lift your arm from where it flopped to your stomach when he laid you down, yet you can’t lift it.

Chan watches the panic fill your eyes and strokes his hand over your head, then back to your cheek again. “You’re okay, my love, I’ll never let anything happen to you. Your Channie will always look after you.”

You can’t even open your mouth to respond. A choked sound leaves your parted lips as your vision starts blurring darkly around the edges.

“I will do whatever I need to, to make sure that nobody can ever hurt you again, my angel,” his voice is taking on a strange otherworldly quality, fading in and out every other syllable.

It feels as if you’re becoming one with the ground under you. It’s still hard against your back, yet it feels as if you’re melting into it, like every point of contact is rapidly ceasing to exist as you fight to keep your eyes open.

“Close your eyes, baby,” Chan’s warped voice meets you. He says something else, but a buzzing appears, overlapping his muffled words until the high pitched sound is all you can hear.

You feel something touch your forehead and brush down gently, forcing your eyes closed. You don’t have the strength to open them again.

It’s pitch black, only the ringing for company until suddenly, it leaves.

There’s barely time to register the pure silence before your consciousness melts into the ground to join the rest of you.

Everything comes back to you all at once.

Your body jerks awake as your eyes fly open. The soft, natural light around you is too bright on your sore eyes and the gentle sound of the birds outside singing their morning song pierces your sensitive ears. Instinctively, you close your eyes and lift your hands with the intention of pressing your palms to your ears to block out the noise, but something stops you from raising your hands more than a few inches.

Panicked, your eyes open and look down to find thick, padded straps around your wrists and buckled in place with a chain connecting each to the wooden frame of the bed under you. You tug, but they don’t give. You try to move your legs, but your ankles are bound in the same way; even if you don’t look at them to check, you just know you’d see the same binds there.

“Breathe,” the voice is familiar, is the one that you’re so used to listening to that you find yourself listening and taking some deep, stabilising breaths without even thinking about it. “Good girl.”

After a few seconds, you realise that Chan is in the room; the strange room where you’re cuffed to a strange bed. You have no idea where you are; the walls look wooden and it smells kind of musty, like it hasn’t been used in a while, but the familiar scent of Chan’s laundry detergent meets your nose from the soft, clean pillow under your head when you turn your head to try and find the man.

He’s sitting in a rickety old rocking chair near the closed door of the small room.

There’s nothing else in the room; no curtains on the window on the wall, which the right side of the bed is pushed against; the window is cracked open, letting in fresh air but even from where you’re laid, you can see bars on the outside. There’s a bulb hanging from the centre of the ceiling emitting a redundant, soft orange glow. And nothing else.

Just you, the bed, the chair, and the man you thought was your best friend looking at you as he gently rocks back and forth, back and forth, the chair creaking with every movement.

For tense moments, minutes maybe, you just stare at Chan in horror. This is not the man you’ve spent the past almost two years side by side with. This is not the man you had been seconds away from telling that you finally loved him with everything in you.

Your Chan is beautiful inside and out; with bright eyes always shining with mirth and adoration when they find you, and a smile that could weaken the toughest of hearts. He was love and happiness. Your love. Your happiness. You don’t know where that’s gone.

This Chan terrifies you. His face is flat, no smile, no sparkle in his eyes. He’s looking at you with an expression so dark and haunting; something similar to the way he looked when you told him that Kyle turned up at your apartment building all those months ago in the café, yet somehow so much worse.

For the first time since meeting Lee Chan, you look at him and you want to be as far away as possible, and then further. This isn’t a man you want to be near. Yet, you’re left without a choice.

“Wha-what’s going on, Chan?” You stammer.

“This is your fault, you know,” he informs matter-of-factly. “If you had just said yes to me that day, if you hadn’t held onto that fucking asshole, then this would’ve never happened. We could be at home, in bed; I could be buried deep in your pussy and filling you with cum again and again until you’re round with my baby. We could’ve been happy; had our family, gotten married,” he huffs a dry laugh and abruptly stops rocking. “We could’ve had the perfect fucking family, baby! We could’ve been perfect. But no! You had to cling to that asshole!” He gets to his feet, flinging his arms up in the air as his lips start to split into a disbelieving smile.

He doesn’t even seem to notice that you flinch and try to move further away from him as he steps closer. He seems entirely caught up in his own monologue as he starts to pace the short length of the room to your left.

“I’ve done everything I can to win you over! I studied you for fucking months before showing myself to you. Changed my hair, changed my style, even changed my fucking interests to suit your tastes!” He wheels around and stalks closer to put his right hand on the headboard above you while he stares down at you with eyes wide. “I fucking hate flowers, you know? Hate those stupid fucking things, yet I read every fucking book I could find to learn about them. Learned how to grow them from tiny little seeds all for you,” he points at you. “And what thanks do I get?” He laughs and pushes away from the bed to turn and take a few steps away. “Nothing! Okay, no, no, that’s not fair to you,” he concedes.

Chan turns to face you with his hands and features settled so suddenly into something so placating that you wonder if you had imagined the unhinged mess he was seconds ago.

“I got to taste that pretty little pussy and feel it around my cock, your mouth too. Fuck, baby, I could’ve held out longer if you hadn’t ended that but you, you little cock tease, had to give me a taste of heaven and rip it away from me.” He tuts disapprovingly and gives you an exaggerated pout. “You’ve really broken my heart, you know?”

“Th-then let me go and you never ha-have to see me again,” you try to reason, but he laughs; a full, loud, rolling laugh while leaning over with his hands on his knees as if you’ve told the best joke he’s ever heard.

“Oh, angel!” He exclaims as he straightens up, clapping his hands amusedly. “That’s good, really good. You’re so funny, baby, it’s one of the things I love most about you. You’ve always made me laugh.”

For a few seconds, he looks at you so tenderly that he looks like your Chan again; the Chan you fell in love with, the Chan you wish you had realised was a trick from the start. It makes sense that he always called you naïve when he knows from experience how easy it is to fool you.

“You’re mine now, ‘till death do us part and all that. Sorry I don’t have a ring for you, I’ve never been one for accessories.” He lifts his bare hands to wiggle them at you.

It’s only now that you realise he isn’t wearing a single piece of jewellery, something you thought wasn’t possible for your Chan. His clothes aren’t baggy and hiding his form, and hair no longer shaggy and in his eyes. He’s wearing blue jeans like usual, but these ones are straight legged and show off his thick thighs and ass; his plain white fitted t-shirt is tucked into his jeans neatly, showcasing his slim waist and strong upper body; with his hair neatly styled back in a casual, yet neat, manner. You’ve never seen him like this; he looks older this way, less playful.

It's another reminder that he’s not your Chan. He never truly was.

“I wish it didn’t come to this; you know?” He comments while walking over to sit on the edge of the bed by your waist and brush the back of his fingers over your cheek, entirely ignoring the way you flinch away from this touch, even if it is painfully tender. “You’re so beautiful; I’ve wanted you from the moment I first laid eyes on you, even if you never saw me.” He sighs dramatically and gets up to stand beside the bed. “Even back then you looked anywhere but me. It’s funny though,” he muses, pacing a little as his lips start to lift and bring back that manic smile he earlier wore.

It scares the shit out of you.

“You never once questioned your bad luck,” he quotes your own words with a mocking tone, trying not to laugh as he does so. “Or how it only appeared once I came into your life. You really are fucking naïve, baby.”

“What did you do?” You whisper, horrified at the realisation that Chan had been the reason that all of your relationships have failed.

Now that you think about it, he had always warned you away from them all for some reason; some kind of claim of a bad feeling, a rumour, seeing them kissing another woman. You never questioned how he always had something to say about every single man you showed interest in, or seemed to know things he shouldn’t really know. You put too much trust in the man from day one and now it’s come back to bite you in the ass.

“Whatever I needed to. It was all so easy too, like you wanted a reason to leave them all. I really thought it was because you wanted me,” he laughs darkly and pins an equally as dark look on you as his smile drops. “And then Kyle came along. Fucking Kyle. Perfect Kyle with his clean record and respect and giant, squishy heart. Well, it’s extra squishy now I pushed him off the road,” he laughs, eyes lighting with twisted delight.

“No,” you choke out. “You- no- you didn’t- tell me you didn’t do that to him, Chan,” you plead desperately.

Chan laughs and walks over to lean over you again, his left hand braced against the headboard and the other playing with the strands of your hair on the pillow beside your head. “If only you had believed me. If you hadn’t let him talk to you that day; if you had just kicked him out and come right to me like you were supposed to, it would’ve never happened, angel. You had me right there waiting for you and you picked that asshole and now guess what?” He looks at you with a bright, manic smile, eyes wide and shining with mirth you wish doesn’t exist. “He’s never fucking waking up, baby!” He beams, looking so proud of himself. “I made sure of that!”

You feel sick to your stomach.

It must show on your face because Chan’s own falls and he frowns at you. “Don’t look at me like that. This isn’t my fault.” He scoffs and backs up from the bed as that terrifyingly haunting look returns to his features. “I didn’t think I’d have to go this far; I thought you’d accept all those rumours and evidence I spent so much time, money, and effort planting. I bribed and blackmailed so many people the past months. Got the asshole fucking convicted and you still refuse to pick me.”

Chan sighs heavily, as if it really does pain him, before he pivots and walks to the door to open it, though he turns just enough to look back at you.

“I can’t tell if you’re too smart to believe all that or fucking stupid to still want to be by his side after all the accusations. Maybe he did brainwash your naïve little self.”

He stares at you for an unnervingly long moment as if he’s trying to figure you out and wondering what exactly Kyle did to earn your loyalty, and how exactly he can mimic it to make you his.

“Oh well,” he decides with a shrug, making you jolt at his sudden voice. “Not that it matters anymore because I’m not letting you leave here. If you’re not going to be mine on your own terms, we’re doing it my way.”

He closes the door after him, and you break with the sound of the lock clicking into place.

Tears roll down your cheeks and temples, soaking the soft pillow under your head as sobs tear from your chest. You keep tugging at the binds holding you down, yet they don’t budge.

You’re stuck here.

Even if you somehow escape your binds, there are bars on the window and a lock securing the thick wooden door.

You’re stuck here. For good.

Forever.

Stuck with the man you had trusted to look after you, to be by your side for a long time. You just never expected it to be like this. You as his prisoner; his little plaything to do with as he pleases until he gets bored of you and then… you don’t even want to think about it.

The sun slowly rises higher and higher into the sky and finally, you stop pulling at your binds, stop crying; out of energy and tears with your whole body hurting, yet nothing in comparison to the pain in your heart where it’s stomped into the wooden floorboards and covered in Chan’s footprints.

You dread the moment he returns. Dread having to live your life like this.

But you know you don’t have a choice. You’re his now, to do with as he pleases. You no longer have a choice in how your life goes.

The click of the lock disengaging sends fear racing through your tired body, adrenaline pumping, yet there’s still nothing you can do as Chan steps into the room with a tray in his hands and a smile on his face.

“Hi baby, it’s time for food! I made your favourite.”

As you watch him approach wearing that same cute smile that first drew you to him, all you can do is curse yourself for being so fucking naïve.

Don’t forget to reblog if you liked to help spread the story and let others read it too! And don't be shy to leave comments or send an ask so I can see your thoughts 🥺 💖

Permanent taglist: @okiedokrie @variety-is-the-joy-of-life @tusswrites

[musashi]

Musing on Movie!Nessa's Future in Part 2

A lot of people simultaneously expressing confusion alongside their celebration of Nessarose finally being played by a wheelchair user, because her being able to walk in act 2 is obviously a huge plot point--the spell cast on the shoes is what turns them into the ruby slippers which establishes the continuity and leads to a bunch of other plot threads, etc etc.

This is obviously the reason a lot of people give for her being played by an able-bodied actress in the past, it's obviously a bullshit reason because a huge majority of wheelchair users are ambulatory and can walk and stand for varying periods of time just fine. So like. They could have still had an ambulatory wheelchair user playing her, but I digress: the point is she is played by Marissa Bode in the movie. A wheelchair user, hurray!

These are just the opinions of someone who is not a wheelchair user so take them with a grain of salt (and please speak up if you have your own stuff to say as a member of the community!) but from what I can see as someone who's been insane about Wicked for about 15 years now, the movie did a lot of good for Nessa's character. Previously, the ableism toward her was baked into the metanarrative itself, but it's now been moved to a more realistic place--the characters within the story.

Previously Nessa was treated with little agency or autonomy not only by the characters but by the people writing the story. Most notably of all, her chair is constantly being grabbed and wheeled around by other characters. The movie corrects this--she is very rarely wheeled around except by her father (and he is called out for his coddling/infantilizing of her by Elphaba within 2 minutes of their introduction) and the one time a stranger tries to do this in what reads even to me as a genuinely traumatizing and far too familiar scene for any wheelchair user to have to sit through, Elphaba immediately fucking goes apeshit and starts throwing fucking furniture. Nessa herself also tries to advocate for herself and tell the professor in question to stop kidnapping/assaulting her and is, again, realistically not listened to.

This last bit obviously happens in the stage musical too but Nessa's own agency is much less pronounced. The movie adds little things here and there to give her more of that agency--Elphaba's protectiveness is much less "I have to help and watch over my poor disabled sister" and much more "I have to make sure no one underestimates or takes advantage of her." Even the plot detail that Elphaba was not there to be her caretaker but just to drop her off and make sure she got settled in her dorm adds leaps and bounds to Nessa's autonomy. Her and Boq's shared look in the opening ceremonies where they both bond beforehand at their inability to see over the crowds' standing ovation. And of course, the dance scene, where he no longer wheels her out but instead beckons her to follow him!

These little details add up in ways that are, at least in my opinion, very meaningful. They also extend to the production itself--where the sets were made accessible for Marissa and she was even allowed to do her own stunts, in her wheelchair! That part in the beginning where Elphaba levitates her was her in a harness in her fucking chair and all. Dope as FUCK.

So I am mentioning all of this because I think the people working on this movie have shown that they are unafraid to make changes to Nessa to be more respectful to her agency. The ableism she faces, which is still plentiful, is framed as such instead of just casually brushed off & baked into the narrative. By making these small changes, Nessa is not just an unfortunate stereotype of a disabled woman, but a real and fleshed-out person who is dealing with the consequences of those exact stereotypes in the society she lives in. I really liked that! I don't know how others feel about it, but I thought it was very well-shifted.

All that said, 'curing' your disabled character is obviously, like, the biggest no-no of writing a disabled character. And that plot beat is a huge one in every version of Wicked... so far. But here's the thing. We have a shot of Dorothy wearing the slippers. And they... are silver.

Why. Are they silver.

And they are silver in all of Dorothy's small little cameos. Every single one. Even though this shot, which was used primarily for promotional material to draw people in like "Hey! Wizord of Oz! This is What The Refrance!" did not make the choice to even suggest that they should ever be red. One of the most important pieces of iconography, consciously and notably absent.

I genuinely don't think Nessa's going to have her disability taken away in part 2. With how much love to this part of her has been done to the retooling of her character, I do not think it is a stretch to assume that they will find a way to advance the plot without removing her disability. I believe this because that is the right thing to do for Nessa, to ascend her character, however you feel about it--she should stay in her chair. She deserves to continue on the way she is.

I realize this little change effects a lot. But after seeing part one, I am confident they can do it and do it well and replace what the change takes away with something just as good. I have so much faith in the direction of these movies. I really, truly believe it will happen and it will be good and satisfying and perfect.

It might still happen, sure--Marissa might get a stunt double, or CGI, or some other brand of movie magic. The shoes may still get enchanted and stay silver to pay homage to the original Oz books. But I can't help but consider that idea and keep asking myself... why. That makes so much less sense. Why not give movie audiences the red slippers, draw them in with the imagery, give them one more lion cub in the bike basket or Boq talking about how much he cries or poppies putting the whole class to sleep. Why not give us the ruby slippers when you... could.

I think because this is going to be a big, long awaited improvement. And I think it is hiding there in plain sight.

[venussaidso]

Although he still could be an Ardra ASC, Gary Oldman gives me Mars nakshatra energy. What if he's Mrigashira ASC instead? His birthtime has poor accuracy. I'm looking at Sirius Black fancasts and first of all, Ben Barnes makes sense. They're both Revati Moons (Ben Barnes could also be a possible Mrigashira ASC if we set his birthtime a little back). But the other fancasts (which I found on Google from fandom forums) include James McAvoy, Aidan Turner, Kit Harington, Richard Madden, Tom Hiddleston, Aaron Taylor-Johnson... these are all Martian people.

I also saw Luke Evans as Sirius Black. He is an Aries Sun and Scorpio Moon.

The character's personality being described as "carelessly handsome". This energetic, reckless vibe he has fits the Mars nakshatra archetype. He often disregards rules and authority, engaging in Martian activities even as an adult. He exudes the passion I see within Martian characters a lot, being emotional and determined. His "carelessness" is seen in his recklessness with his own safety and well-being, also engaging in self-destructive tendencies while having a mischievous streak. He's very youthful and lively as well, which is a Martian quality.

Another Mars nakshatra character who is this archetype is Pacey Witter from Dawson's Creek. Although he's less destructive and chaotic as Sirius Black. But very careless, mischievous and lively.

Pacey Witter played by Mrigashira Sun Joshua Jackson.

He is also more passionate and sensitive, hiding his vulnerability behind humour and arrogance.

Jesse Pinkman, played by a Mars nakshatra native as well, is also careless, even more reckless, and emotional.

Jesse Pinkman is played by Chitra Moon Aaron Paul.

He's kind of known for his emotional outbursts and vulnerability in the series Breaking Bad. But he's on the self-destructive Martian side.

These two characters are known for flunking school, too. As I mentioned just recently, Mars nakshatra natives can have a lot of energy which they struggle to direct into something. Once they can, this achievement will show when they learn commitment, and they usually gain a lot of power effortlessly after this. They tend to be highly intelligent but they can suffer from ADHD symptoms (not diagnosing them).

Also, this Mars nakshatra archetype is not exclusive to men, obviously.

[woaza]

LOVE LOVE LOVE UR SCAR STUFF!!! I am so glad he's starting to get stuff written for him he's so awesome!!!! Please keep going feed us scar fiends

Scar (Arcane) x reader || Pt.2

Link to Pt.1

Contains : Continuation of my head cannons and thoughts on scar in a relationship and as a person.

Word count : 3.4k

Warnings : Scars baby mama being a little crazy(?), grief, mentions of death, some of this is kind of a stretch?

A/n : I HEAVILY AGREE with you! He needs more written about him. I can never find any it’s so strange. I’m so glad you liked my last scar fic. I will definitely continue to do them! I have a lot of requests for other characters, but I need some of him.

— Scar is a Vastaya or more specially a Chirean. Well at least some form of a Chirean? (At least from what little there is about him.) Chirean’s were first discovered by a Zaunite miner. They can’t speak human languages but are bat like. Which scar is. So I don’t know if he is a Chirean or at least some sort of subspecies or a descendent. Since he is classified as one and there is very little known about them.

— One thing we know about Chireans are that they are Omnivorous. So they don’t really have any diet restrictions, but most real bats are fruit bats. So Scar will eat meat and vegetables, but fruits are definitely a favorite of his. Just think about it. In the slums food is hard enough to keep on the table. Sweet things (not to mention difficult to grow) like fruits are a rare treat. Scar feels like they are a special treat, but something about fruit just makes him happy. (So bonus points if you have a fruity perfume or cologne?)

— With those bright green eyes of his can definitely see great in the dark. With that being said also more sensitive to lights. When the two of you wake up in the morning he groans in annoyance so loudly when you turn on your nightstand light. Which yes, nobody likes seeing the bright light first thing in the morning. But for him it’s ten times worse. He will burry his face against your body, looking for an escape from the light.

Though with his eyes comes many benefits. Like Late night walks with him are a must. When his daughter (Who in my head I’ve been calling Petra but I read a cute fic where she was called Riri. So I’m in debate of what her name is but I digress) is being watched by Ekko or someone else he trusts, he’ll take you out on late night walks. He loves to hold you close, helping guide you when you can’t see because it’s too dark.

— When you two first start to see each other more romantically. He literally pretends to be so nonchalant. Acting like he’s above slightly cheesy romantic activities. At the start is the type to watch you dance instead of joining him. Despite desperately wanting to. He just wants to make sure your really in it for the long run and not a quick fling. Scar takes his relationships very seriously, especially because of his daughter.

—Since we are in the topic of his daughter, Baby mama? I could see this going a couple different ways— and I don’t know which is worse.

The first way is that he never had a good relationship with her. Maybe it was a hookup or a messy situation in general. He grew up in the slums and probably wasn’t the greatest of a person himself. “True love” wasn’t really the top of his concerns. Until him and this woman had a daughter together. He (immediately) was ready to become more serious because a child was involved (probably because he felt uncared for in his childhood, not wanting to do that to a child?). Though she didn’t want that and hesitated. Eventually leaving him to raise her by himself.

The second way I could see, is him truly falling in love with someone. Finally having a family and starting to build a life. Having a daughter and a small place to call home, that is until the city’s were flooded with shimmer. Losing his wife/partner to it and will never forget her.

In either case I think the mother of his child is another reason he’s kind of concerned with romance and getting closer to you in general. Scared that everything that happened will just repeat itself.

A/n: maybe more of this? I like making these. BUT I love this photo of him sm. I think it’s cute he’s just genuinely smiling at his daughter.

[princesssarisa]

I just came across a YouTube video complaining about the changes made to the musical of Wicked from the original book.

One of its main arguments is that in the musical, Glinda is too easily forgiven – both by Elphaba and by the show's narrative – for working with the Wizard, not to mention the other morally questionable things she does.

Now, I haven't read the book, or analyzed every word of the musical's script and lyrics, but I'm not sure if I agree with that claim or not.

I agree with what @cto10121 has written in the past, that maybe the musical focuses too much on Glinda when it's supposed to be Elphaba's story, but I don't think the show glosses over Glinda's flaws or bad decisions. I've always thought she was a very morally gray character who has a redemption arc in the end. And she most definitely pays a hard price for her mistakes, ending up in power but all alone on a personal level, thinking the two people she loved most are dead because of her.

But just from scrolling a little on both Tumblr and YouTube, I think the musical's fandom might idealize Glinda, whether the musical itself does or not. I don't know how widespread it is, but I've definitely felt as if the fandom idealizes her entire relationship with Elphaba, and they do leap to defend her whenever someone misguidedly calls her "the real wicked witch"... sometimes with defenses I don't buy.

Again, again, and again, I've heard people say "The message is that there are two sides to every story and no one is all good or all bad."

(Which of course is true to an extent, but which IMHO, paints false moral equivalency between Elphaba's side of the story and both Glinda's and the Wizard's.)

I've also seen "The whole point is that Elphaba starts out as the heroine while Glinda starts out as a mean girl, but Glinda becomes a better person while Elphaba becomes a worse person over the course of the story, until they become the characters we know from The Wizard of Oz. Ultimately Glinda is the more heroic one."

(That's... not quite the way I would describe their arcs.)

And, most thought-provokingly of all, I've seen this:

"Glinda deserves more respect for her intelligence. At first we're made to think she's a dumb blonde, but it turns out that she's very clever and shrewd, and her claim that a good image is what matters most in society turns out to be totally right. It's by working within the system and pleasing the Wizard and the people of Oz that Glinda gains power, which lets her oust the Wizard and Morrible in the end, while Elphaba's rebellion crashes and burns."

Even if part of the show's message is "Society values a good image more than real merit or truth," aren't we meant to view that fact as a bad thing that needs to change, rather than admiring Glinda for knowing it all along and benefitting from it?

This reminds me of commentary I've read about Amy March from Little Women. A character who has a lot in common with Glinda in some ways, though without the political aspect. I like Amy and I don't think she deserves the hate she traditionally gets from Jo fans, but some attempts to defend her annoy me. Namely the fans who praise her for conforming to society better than Jo does: i.e. "Amy is the smartest, most mature March sister because she knows how to please her social betters and make the system work in her favor – unlike Jo, whose rebellious ways get her nowhere and who needs to learn to be a proper docile lady for her own good." Again, I like Amy as a character, but as a neurodivergent feminist who relates to Jo's independence and her failure to conform, I don't like that talk.

And Amy doesn't serve a fascist regime.

I'd like to know what bigger Wicked fans than I am think of all this. Does the show absolve Glinda too much, or if not, does the fandom? Or do both the show and fandom have a more-or-less accurate view of both her flaws and her virtues?

[anomalymon]

I did do a bit of research into subpersonalities and I'll admit I'm not an expert, but what's described here seems different to me. What I saw about subpersonalities they don't seem to have that level of identity to actually be different species or fictional characters like I saw. When I looked into genders I couldn't find anything about them being able to be different genders either besides in a sort of metaphorical way.

This seems a lot closer to median systems (other source with some better clarification) from how I've seen it described in polymind resources vs. how I've seen it described in subpersonalities, actually to the point polymind seems to unintentionally have borrowed a term structure from it with -ling. While it might not be, I think that's where I and most other systems see the similarities.

I think active as a parallel to fronting, at least for me, is because of how there's terms in the carrd for active, co-active, and activestuck, which seem like they're meant to parallel front. The same goes for swap and swappy being just switch and switchy.

Also for me at least I was getting my information from the wiki that I saw linked and I assumed the Carrds that kept being cited were either created by the coiner or created with the coiner's feedback. The Carrds aren't reliable, I know this one has straight up misinformation, but I was taking them as something reflective of the community and community terminology since it was cited on the wiki. I understand if that's not the case but that's why I referenced it.

Either way if it's genuinely not plurality, I'd say a good way to beat those allegations would be to write about your experiences. Especially with posts in the tag furthering that misinformation, like calling it a "less harmful alternative to endos" (it's not an alternative if that's not what it is in the first place, since endogenic systems are separate individuals, not personalities and not really anything close to subpersonalities).

I think a lot of people would be interested in reading any essays you'd write on your experiences too. The alterhuman community especially is big into that, and I'd love to read it myself too. A lot of communities got their start with people just writing and sharing their experiences. If you try to make the whole term structure before others know your experiences and vice versa, that's how misunderstandings can happen.

It's worth mentioning too that there are system and plural community resources that might still be applicable to you, and there's nothing wrong with using or reading these if you aren't of these experiences or don't identify as such. I'd highly recommend Healthy Multiplicity as a starting point since it's a long time link collection and has a lot of relevant articles. I'd also recommend learning what plurality and systems actually are, since that might give you more insight into how your experience compares and differs.

(Also re: little, I know it's an age regression term but little and ageling as far as that glossary goes seemed redundant to me, hence why I included it, but admittedly that was done without thinking)

Polymind is a bit fascinating because it ends up unintentionally showing why system terminology ends up not being exclusive to any one specific group.

Like when you try to describe plural experiences in a way that tries not to use an existing plural definitions, it shows a lot more blatantly that at its core we do all have the same experience of being more than one. Any term you make has a high chance of applying to the other group.

Then when you get into the terminology needed to actually describe those experiences, you find you kind of need most of the shared terminology otherwise you need to recreate the whole damn lexicon.

Like the reason terms get shared is more like "We have DID need a fast and easy way to describe fictional alters. Oh, soulbonders have a lot of terminology for this already that fits what we need, we'll start using fictive and source."

Or "We're a non-disordered system and need a way to describe one headmate taking over. Oh, medically there's switching and front, that's a fast and simple way to describe it."

And like a lot of subcultures online are like that and when you try to fight it you end up with complicated and not very practical terms. Especially when there's terms that have been used for over 30 goddamn years that are simpler and easier to use.

Hell even trying not to use any existing plural terminology, Polymind ended taking a lot of them unintentionally (i.e. part, ageling, little, protector).

It also highlights an issue where unless you do deeper introspection, which is not always practical for... obvious reasons, you probably won't know exactly what you fall under. Expecting people to look in depth trauma history to figure out what terminology they're allowed to use is despicable.

Also that the problem is at its core that people don't think we should exist at all and that the terminology stink ends up being more of a way to make harassment and fakeclaiming seem "justified" and also a method of erasing history and separating systems from resources/making them harder to find but eh

[atlasrayz]

Ok hi time to rant abt hazbin/helluva because i will forever be upset about the outcome of those shows.

Indie animation has been on a rise lately, with so many different amazing shows being available on youtube.

I watched the hazbin hotel pilot around the time it came out, and it really interested me. The characters seemed interesting and the premise wasnt really something you see often. I was excited.

I kept up with Viv's work and got into helluva boss. I thought it had some good jokes and the bits of lore we got made me want to keep watching. However, the premise of literally every episode is the same. A bad ex or a bad dad. Its a formula, and it shows up in Hazbin too.

Viv has some obsession with daddy issues, and problems with characterising her women characters. Charlie is the *main character* of Hazbin Hotel, but she has literally no growth or development. Millie also falls victim to this.

The one episode where she actually gets some attention feels... wrong? It felt like they were mischaracterising Moxxie so that they can fabricate conflict between Moxxie and Millie. Moxxie loves his wife, and he has literally never once been shown or implied that he would try to upstage her. Yeah, he's definitely got some inferiority going on, hes constantly being belittled by Blitz. Hes the show's punching bag, but i feel like it had never been implied that he hated himself more than he loved his wife. I hate that episode with a burning passion because how tf are you going to mischaracterise your own fucking characters.

I hate the way they did Lucifer. He should NOT have been some wacky, silly guy who just doesnt know how to reach out to his daughter. He's not bad! He's just anxious UwU. His entire character is irritating. Having a wacky fun character is fine, i love characters like that, but Lucifer shouldn't have been that character.

In the pilot, it was implied that Lucifer hangs over Charlie and his influence puts a lot of pressure on her, but then we meet him and hes just. A guy. Who doesnt talk to his daughter a lot. Which makes absolutely no sense. You could argue that they retconned a lot from the pilot, which, yeah, its all new voice actors so, sure. But then, why wouldnt they remake it in some way, in any way?

Not to mention that all the characters feel flat. Even in Helluva. In Helluva we get filler and backstory, but even then the characters dont change or grow. Quite literally the only good thing out of Helluva is Fizz. His arc and story is the only one that actually breaks from the formula of bad ex bad dad and his character actually changes from the lessons in the episode. I love Fizz for pretty much that reason alone.

Moxxie and Biltz have an episode where they promise to be nicer to eachother *and then they fucking don't?* They stay the *exact same* towards each other. If you're going to do that, then don't make a story based show. Make one of those slice of life, 10 minute episodes combined into one 20 minute episode that shows no growth, and is just there to be fun. Those shows arent bad, they just have a different purpose.

I've been so upset with the results of Hazbin Hotel. The pacing is awful, the characters have no time to change or grow, and their dynamics just arent interesting. It sucks because I saw a world where this indie show got on amazon prime (!!) And was amazing and did amazing things and set the stage for other indie shows to finally get big and then all we got was poorly written, rushed slop that feels like a huge kick in the teeth to anyone who cared about the show. Or, at least, it did to me.

[jadeazora]

All of this. There's also eschewing Platinum's fixes to characterization (especially when it came to Cyrus. Fortunately, Masters exists but why should it be the responsibility of a niche mobile game to save the characters?) and pacing too.

It makes some improvements to gameplay, but as Mikey mentioned, it's really inconsistent in how it does things like the Dex and difficulty (easy before absolutely sucker-punching you at the League), and that what it does add are just QoL updates found in pretty much every modern Pokemon game. It also just wasn't what I was hoping for in a DP remake, I was really hoping for an updated story and redesigns. ORAS was my gold standard for how they improved on characterization, and we've gotten character redesigns in every other remake. Maybe they didn't want to change designs because of Masters or whatever, but it just felt lazy.

Imo, it's really the only remake that's worse than the original third version: FRLG is dated now, but was mechanically better than any G1 game and had Sevii. I was never fond of the GO features in LGPE, but it still felt unique enough with the changes they made, plus it's the most beautiful Switch Pokemon game. HGSS added a fair amount of new features, a battle Frontier, and improved characterization for Silver. ORAS feels at least like it stands on par with Emerald, improves the Dex, really fleshes out the characters and story more, added Soaring, it felt like a pretty fair trade-off for what we lost. Still a bit salty no Battle Frontier when I was dabbling in competitive, but it's not a deal-breaker. With BDSP, the QoL changes, Legendary hunting, etc. are expected by now, so that mostly leaves story, which was pretty much untouched from the original DP. There's cool things like the expanded Underground and the Shadow Giratina battle, but it's not just enough to really salvage it in comparison to Platinum.

It was possibly even more glitchy than Scarlet and Violet were upon release, which was a big complaint for people at the time (tho people did abuse the glitchiness in a lot of funny ways or to speedrun the game).

It was the only Pokemon game I never actually bothered to finish, like, I think I only ever got up to the fifth badge. I just literally couldn't find enough to really enjoy or be invested in when Platinum exists and does the things I actually was interested about in DP better. Tho tbf, with it getting outsourced, it was clear it was never the main focus, and according to the Teraleak, was only pushed out in case PLA turned out to be unpopular with fans.

[kirbyluvr63]

need f1 fanfic recs

im SO fucking glad you asked!

im gonna give you some of my favs here and youll kinda notice a pattern, i guess! im about to expose my whole psyche in front of you.

first, one of my favorite ships is maxiel! but i particularly love anything that explores daniel's character specifically, so my first rec is an entry on Daniel Ricciardo's Internalized Homophobia Fic Fest!

heart's a mess by nunnit - just a great character study of internalized homophobia and trying to no-homo your way out of your own life until you lose the one guy you really loved. warning: there's a bittersweet ending! ships: Jenson Button/Daniel Ricciardo; Cyril Abiteboul/Daniel Ricciardo; Daniel Ricciardo/Max Verstappen; Daniel Ricciardo/Blake Friend; Daniel Ricciardo/OMC

Montreal Bounds by ellipsis99 - this one has a happy ending! daniel's in a complicated relationship with a guy who has a girlfriend and max makes him reconsider a bunch of stuff. ships: Daniel Ricciardo/Max Verstappen; Daniel Ricciardo/Scotty James; (brief Max Verstappen/Pierre Gasly)

pale green things by yekoc - historical fiction set during the tulip fever where jos is a rich tulip trader that commissions daniel to paint a portrait of max for his fiancee. yekoc is a GREAT author, i recommend anything by them! ships: Daniel Ricciardo/Max Verstappen

glory, from a high rise by yekoc - speaking of, another BANGER from yekoc. daniel works at a bar and max is a neurotic alcoholic office worker who's also horny as all hell. there's some commitment issues involved as well. it's perfect. ships: Daniel Ricciardo/Max Verstappen

honorable mentions:

a body wishes to be held and held by CamilleDuDemon

All We Knew of Home by LoveLeah

mon voisin by kitversuskat

now, my second favorite ship, my actual favorite drivers on the grid and the ones i cheer for: galex! <3

table in the back by crescenteluce - if you love miscommunication you'll love this one, the dialogue is so precise like you can clearly see how one would misinterpret what the other is saying and at the same time you get why the other person didn't even realize a misunderstanding happened aaaaaaarrrrgghhhh it's a bit infuriating too but so so good. ships: George Russell/Alex Albon

footnote in someone else's happiness by finedae - in this one george and alex kind of have a fucked up relationship... they break up so george can date women and fit in the box expected of him, but stays in touch with alex and alex has to, as the author put it themselves, keep things real. ships: George Russell/Alex Albon

ode to a conversation stuck in your throat by prettyrotten - this ones also crazy good and revolves around miscommunication.. i guess this is my favorite trope for them for some reason. george humiliates himself to keep his relationship with alex who just decides how george feels and makes things shitty for everyone. must warn you that i almost cried with this one, very angsty, but with a happy ending! ships: George Russell/Alex Albon

honorable mentions:

take care of you (take care of me) by ginnydear

Strike a Pose by amphibiangeorgerussell

carry you home (orphan work)

another ship that i adore is charlos! their dynamic is very interesting to me... between them and between ferrari and also i just like carlos and want to study him under a microscope. can't wait to find out how his chemistry will play out with alex once they're teammates tbh

In for a penny, in for a pound by chiliconcarlos - this one's the quintessential charlos fic; a required reading, if you will. charles gets drunk and hires an escort to accompany him at a wedding so he doesn't show up alone in front of his ex. he thinks he hired a female escort, but then carlos shows up and... the rest is history. just a very very good fic. ships: Carlos Sainz Jr/Charles Leclerc

the same as all those men by almondmilkk - idk about you but i'm obsessed with cowboys and this is THE cowboy au... carlos has a lot of repressed feelings and internalized homophobia and charles just doesn't give a fuck anymore, it's glorious. ships: Carlos Sainz Jr/Charles Leclerc

my blood is singing with your voice (the saints can't help me now) by choripan - if you like catholic guilt, this one's for you! there's a lot of religious imagery in this one and it's just... chef's kiss. charles and carlos meet at an abandoned church while on vacation at mallorca with their respective families. ships: Carlos Sainz Jr/Charles Leclerc

honorable mentions:

semiotic study by linearity

says he's gonna teach me just what fast is by foggystars

can't sleep 'til I feel your touch by chiliconcarlos

and now.... for my most deranged ship: george and lance. "WTF??" you may ask, and i say "don't knock it till you try it!" think of it this way: george is stuck up and hates himself a little and lance is just there and doesn't give a fuck and is the pillowest of princesses. unfortunately few see the vision so there isn't much, but i can't recommend enough Lesson Learned by bottomtxt who's also one of my favorite fanartist here on tumblr and the one who opened my eyes to this AMAZING ship dynamic! finger trap by rivalism is my other recommendation for this criminally underrated ship!

and this is it! i hope you'll enjoy it

ps.: sorry for taking a while but as you can see i was taking this very seriously and i had some college stuff to get done at the same time etc etc... feel free to keep talking to be about it, tho :)

[gothamite-rambler]

"I'm your mother, but you died where I'm from." (Dimensional Crossroads)

Bruce discovers that the Batwoman from another world is, in fact, his mother. As the characters interact, they will refer to each other by their hero names, but I’ll stick to their real names in the tags.

Batwoman, Batman, and his family made their way back to the Batcave. While Batwoman was eager to focus on the unusual portals opening across various dimensions, her thoughts kept wandering back to the possibility of seeing her son’s face again.

As Batwoman admired the impressive sights of the Batcave, she was particularly fascinated by the eclectic collection of memorabilia that her son had accumulated during his time as Gotham's protector.

Martha (marveling): My word, this place is spectacular! I love that dinosaur statue.

Bruce (his eyebrow raised, unsure why she was focused on his batcave if she had her own): Um, thanks, but we can’t waste—

Martha (excitedly as she pointed at the giant one cent coin): That giant penny is amazing! In my world, I encountered a giant dime once. A criminal used it to sneak into a bank—it was a total Trojan horse situation. Where did you get this giant penny?

Bruce (exasperated): The crook used it for something similar, but during the chaos, it tipped over and crushed him. Can we—

Martha gave a hoity-toity giggle , eager to talk about her son’s life, even though they both knew they should be concentrating on the portals. She reached out and patted him on the back, leaving Batman momentarily confused, unaware that the woman before him was, in fact, his mother. She had acted like this since meeting him and it felt comforting, but odd as well.

Martha: It’s nice... cool, as the kids say. This hideout of yours is grandiose and well-insulated with air conditioning. I can't help but look around at what you've collected over the... decades of your life! I find your weapon of choice amazing too. I swiped one from your belt while you were distracted.

She held up the sleek black batarang; Batman tilted his head, trying to mask his shock.

Martha (admiring the weapon): This is well-made. Pointed edge, not too heavy—let’s see how it fares when thrown.

With a casual flick of her wrist, she sent the batarang soaring through the Batcave, striking a training dummy with remarkable precision.

Martha (clapping softly): Perfect aim! I still got it.

She laughed softly, sharing a glance with Batman, who was taken aback. There was an uncanny familiarity in her demeanor that stirred something deep within him.

Bruce (down playing the feat): That… was actually a good throw. Batwoman, was it?

Martha (nodding): Indeed.

Bruce (crossing his arms): Hm… I wasn’t sure if I could trust you, especially after you pulled out two guns—which I assume you took from my belt—but your composure when the portals opened is… admirable.

Martha clasped her hands and brought them to her lips with a charming smile. Bruce looked around, puzzled.

Bruce (taking a step back): Why do you keep looking at me like that? You’ve been doing it since we left town, and it’s creeping me out which is saying a lot.

Martha (feigning innocence): No reason! Um, but yes, you mentioned my gun.

Batwoman produced the weapon from her utility belt, a warm smile on her face.

Martha: I have many weapons I use to fight with, non-lethal ones. Not the batarang, might have to make one when I get back though. I'm not trigger happy or anything. I took a gun training course in Gotham in my middle age. I'm licensed! Want to hold it?

Batman snatched the gun away and placed it on his desk.

Bruce (firm, but tired): While you're here, I will kindly request you stop waving that around? I already have to deal with one of my sons using guns.

Martha covered her mouth, embarrassed, realizing that this version of her son likely lost his parents the same way she had lost hers.

Martha: My mistake. I can take a pause from using it, I'm trained in many methods of fighting for a reason although karate was a chore when I first signed up. Funny that out of the ones I learned that left me winded.

Bruce nodded, crossing his arms once more. He felt uncertain about trusting the woman; he knew she could easily swipe the gun again, but his curiosity about why she had it lingered.

Bruce (bluntly asking): Batwoman, I'm going to ask you something personal, but I don't mean to be malicious. If you’re a protector of Gotham like I am, why do you use a gun? I thought you would follow the same rule as I do.

Martha (smiling plaintively as her hands fiddled together): Let me share part of my story. I spent years training to become Gotham's protector. You didn’t think I would be inept at swiping things from unsuspecting people, did you?

She laughed again, a somewhat forced laugh, as she slapped Bruce on the arm. He shook his head, a small smile breaking through.

Martha: Although, to be fair, one of my Doves wants... nothing to do with them.

Bruce: Dove?

Martha: Yes, that’s what I call them, all my little Doves. I debated on that, blue jay, owls-

Bruce (knowing smile): I'm kind of glad you didn't choose owls, I dealt with a crazy version of myself that was owl themed once.

Martha (warmly): Lucky me... I love my doves dearly as if they were my first born child. I loved telling them stories about h- them. That's their sibling they never got to meet, you know? Anyways, I don’t shoot criminals willy-nilly, but I'm a woman of a certain age and I need protection, such as this.

Bruce: How old are you?

Martha (sternly): Never ask a woman her age; it's rude. Got it?

Bruce (surprised when speaking): Oh, sorry… did I just apologize?

Martha (playfully): You could say I have that motherly charm. Oh, how I wish my child could’ve fought alongside me.

Batwoman's expression softened at the thought of her son. She looked away from Bruce, a moment of contemplation settling between them.

Martha (contemplative speaking): You know, I was married once, too. He was an incredible man. We met at a gala—our parents probably set us up, but it felt fated. Hm… Are you married?

Bruce (firmly): No.

Martha (curious): Hm, how many kids do you have?

Bruce (defensively): I’m not comfortable answering that… I’d prefer to focus on the portals—

Martha (interrupting): One step at a time, kid. We’ve both dealt with worse. I wanted to know you a bit more while I still can. I had a biological son; you remind me so much of who he could’ve been. May he and his father rest in peace. But I’ve also adopted a few kids. They’re wonderful.

Batwoman chuckled, shaking her head gently.

Martha (hands on her hips): Kids… Silly to say when they’re all adults, but even when one is gone, you should never truly stop living or saving others. You know?

Bruce (sympathizing): I… see what you mean.

She patted him on the shoulder before walking past him again, taking in the vastness of the Batcave once more.

Martha (candidly): I want to savor this moment with you, but I've held off on this long enough.

Turning to face the Caped Crusader, she walked closer but kept a respectful distance, unable to read his expression.

Martha (tentatively): I hope I’m not mistaken, but you’re Bruce Wayne, son of Martha and Thomas Wayne, and I’m guessing in this world, we are the ones who died in that alley.

Batman's eyes widened, but he clamped down on his emotions.

Bruce (stammering): I—Alley—We’re?

Martha smiled gently and removed her mask, revealing a woman of mature age who bore an uncanny resemblance to Bruce’s mother.

Martha (calmly, as she could muster): I’m Martha Wayne. The night after we left the movies, my family and I went down that alley. A coward tried to rob us, brandishing a gun and shouting, “Give me the money!” My husband, may he rest in peace, wasn’t about to let us be harmed. He fought back, but the gun went off accidentally. He wasn’t hit… I wasn’t hit, but…

Martha took a deep breath, to steady her emotions as she recounted the past.

Martha (clenching her fists): He killed our son. The gun went off again. My husband grabbed the gun and then collapsed—the love of my life, shot. But it wasn’t just the gun that killed him; it was the thief who turned his evil eyes on me. The gun wasn’t in his hands, but in that moment, I laid my son gently on the ground, seized the weapon with my bloodied hands, pulled the trigger, and he died. That night, I watched my family vanish before my eyes. I couldn’t save them in time. And that was the first time I killed someone.

Batman remained silent, grappling with the weight of her words.

Martha (heavy-hearted): You can imagine how that weighed on me. I had to put on a brave face, even as a widow who lost her only child. I spent 16 years honing my skills to be the best hero Gotham has ever seen. It wasn’t easy; many dismissed me as just a rich woman. They thought I should have written a cookbook, married another wealthy man I wouldn't love, and just been miserable… And yes, I’m still depressed, but I refused to play the part of a conventional wife with some stranger. Thomas was the only one who truly understood me.

Bruce (achingly): Oh God, you said his name again.

Martha (understandingly): It's a shock, isn’t it? When I first became Batwoman, I was ruthless. I beat them down, broke a few kneecaps, but my first Dove helped me temper my rage. You’ll like her; she’s your cousin.

Bruce (slightly gasping): Kate?

Batman gasped at the slip, confirming for Martha that this was indeed Bruce Wayne. She smiled widely, clasping her hands.

Martha: Does this mean I’m right? You’re really him? You’re my baby boy? Well… I suppose “baby boy” feels a bit silly now.

Bruce (denying, incredulous): I… No, this can’t be real. My real mother wouldn’t use a gun.

Martha (keeping her composure): To be fair, you died in my arms, and I watched your father take his last breath that night too. It seems we chose different paths in weapon handling. I understand your apprehensions about it; surprisingly, I haven’t killed many. Although I understand you being bothered by that. My second Dove, now going by Batgirl, believes prison can manage most of them.

Batman anxiously took a few cautious steps back, anxiety bubbling to the surface.

Martha (calmly, reassuring tone): Hey, it’s okay. I get that this is overwhelming. But I can prove that I'm Martha Wayne, and I won’t hurt you. You love dinosaurs, you had a red tricycle you adored riding around the house, your favorite cake was either red velvet or chocolate, and you idolized heroes like Zorro and Sherlock Holmes. Your father would—

Batman (shakily): Read me Sherlock Holmes books in his study… Mom?

Martha nodded and pulled a second red and black gun out of her belt, gently placing the earlier gun on the ground to signal she meant no harm.

Martha (her heart racing): If you are Bruce Wayne… I want to spend these fleeting moments fighting crime and fixing these portals with my son. I understand I have to return to my world… I know you’re not the version of my son I lost, but I want to be with you for this time. I promise I won’t shoot anyone and will respect your rules while I’m here.

A poignant silence filled the air as they both held their breath, the tension palpable. Batman stared, wrestling with his emotions before finally pulling off his mask, tears threatening to spill.

Bruce (tenderly): Hi, Mom.

Martha (softly): Hi, baby.

Martha rushed over and enveloped her son in a tight embrace—a warmth they both longed for since losing their families in different worlds. Their moment of reconnection was suddenly interrupted by Alfred and Selina entering the Batcave.

Selina (confused): Um… what did we just walk into?

Martha (terrified): Monster!

Martha quickly pulled out another gun, instinctively pushing Bruce behind her and aiming the weapon at Selina, sending alarm bells ringing throughout the cave.

Bruce (surprised and back to being annoyed): Why do you have so many guns?

Martha (speaking quickly): Rule of three; this is my last one. Promise. Stay behind Mama!

Alfred (dropping his tray, shocked): Mama?

Bruce (explaining while slightly amused): Um… there's a world where my father and I died, and she survived and firmly believes in the Second Amendment. She's alive and next to me! Look at how pretty she is.

Martha (grinning while maintaining her motherly tone): Good explanation, Bruce and thank you.

Bruce held his head, a smile on his lips, though he was unsure of what to do next. Selina shot a worried glance at Alfred, her expression filled with uncertainty, but he simply shrugged, clutching the tray against his chest like a shield.

When Martha's hand remained steady while she kept the gun aimed at Selina, the latter instinctively raised her hands, a surge of fear washing over her.

Meanwhile, Bruce attempted to reason with his mother, his voice betraying a slight tremor. The whole situation felt surreal. He didn’t want his mother to shoot his girlfriend, but this was his mom! It was a perplexing dilemma for a man who wasn’t the one facing the gun.

To be continued...

Parts so far:

Dimensional Crossroads (Martha)

Dimensional Crossroads pt 2

Inspired by a fanfic where Jason from the current canon and a version from a timeline he survived switched places

Meanwhile with canon Jason Todd in the alternate world

[year2000electronics]

I’m also gonna propose the OTHER side of the coin.

Mom!Tippi

Wouldn’t it be so tragic if Timpani had been that much closer to Bleck this entire time? If potentially Luigi were to meet and befriend her, neither having the slightest clue who the other is, prior to the events of SPM? And by the time they do all realize who everyone is and fully reunite, they only have like 5mins max to cherish it before two of them have to sacrifice their lives to save the third :)

Then on the other hand it’s also lowkey kinda hilarious?

Tippi is just kinda going through the motions with the prophecy. No memories and very little sense of self, she’s putting all her focus on the Pure Hearts and stopping the Void. Very… clinical-like. And gradually she starts to open up more to Mario & Co, grows a bit more lively and starts remembering things.

Like her lost love.

So imagine her surprise as things are starting to click and she’s piecing things together, and for the latest piece to the puzzle, there’s her exchange with Bleck when the group’s confronted by the Count in Sammer’s Kingdom. And then he not only mentions the name “Timpani”, which is very familiar for some reason, but also mentions a son.

There are many questions once she’s got her full memories back. At least she thinks so, but she certainly doesn’t remember having a child with Blumiere before they were torn apart and she was cursed to wander dimensions forever! Who IS this child? Where did he come from? What does this mean? Does this make her a mom? Will the child want her as a mom? Can she be a good mom? This was way less terrifying and complicated when it was just saving all reality from violent oblivion!

At first she thinks it’s Mr. L based off observations from the heroes’ fights against him. But then surprise! It’s actually Luigi! The sweetheart boy she’s known and befriended a few years prior to the adventure… how they were this close to have preventing it altogether had they figured it out sooner.

Picture the final thing that confirms for them both without a doubt their shared connections to Blumiere with the MOTI song that’s the duet to the Memory/Bounding Through Time track. A cherished melody between the lovers when they were together, that was also used as a lullaby for Luigi as a kid when he had nightmares.

Btw Luigi and Tippi being amnesia buddies throughout Ch7 Underwhere and Overthere segment is super cute. Criminal that this wasn’t capitalized on in the game either, like c’mon! Amnesia Buddies! Just supporting each other and helping the other get through the more intense flashbacks when they hit in addition to quest/adventure stuff.

Makes Luvbi’s teasing comments hinting that Tippi’s got a crush on Mario, Luigi or both a lot more awkward, tho.

That awkward moment when you accidentally call your mom friend “mom” out loud to their face, but it later turns out she was your actual mom the whole time.

It’s hard to hug on account of Tippi being a butterfly Pixl, but she carries the intent when she sits on Luigi’s nose and stretches her wings out across his face as best she can.

…I have far too much to say on potential relationships between characters that barely interact canonically.

AW YES... let tippi and luigi bond theyve earned it

i think the funny thing about that, too, is that even though tippi and luigi don't get much together, tippi does have some VERY strong opinions on mr. l (calling him greasy, saying he's weak, and her tattle on him specifically says he has 'no other outstanding features of note') so if she thinks mr. l is bleck's son (instead of luigi) i'm sure her first reaction would be... Interesting... LMAO